Books in many hands
Amaranth Borsuk
University of Washington, Bothell
@amaranthborsuk
amaranthborsuk.com
It Goes Without Saying. Amaranth Borsuk and Julie Wills (2017).
Wave Signs. Carrie Bodle and Amaranth Borsuk (2016).
Siglio Press 2012, SpringGun Press 2016
between page
& Screen
With Brad Bouse
WHISPERING GALLERIES
whisperinggalleries.com
Abra: A Living Text
With Kate Durbin and Ian Hatcher
A-B-R-A.com
A book of dust
Based on Nick Montfort's reimplementation
of Alison Knowles and James Tenney's House of Dust,
a 1967 computer-generated poem in Fortran, using Javascript.
amaranthborsuk.com/dust
<script type="text/javascript">
var t = 0,
material = ['POEMS', 'RECIPES', 'CUT-OUTS', 'TWEETS', 'STORIES', 'IDEOGRAMS', 'DIAGRAMS', 'DREAMS', 'SONGS', 'LYRICS', 'CONFESSIONS', 'FOUND IMAGES', 'ERASURES', 'REPRESSED DESIRES', 'COLLAGES', 'STRANGE SIGILS', 'MADE UP LANGUAGE', 'MAKE-BELIEVE', 'FORMS'],
place = ['IN PRIMARY COLORS', WITHOUT A COVER', 'IN DOS-A-DOS', 'IN PAPIER-MACHE', 'WITH THE SOUND OF WAVES', 'IN CODEX FORM', 'IN A STAB BINDING', 'IN A FLAG STYLE', 'IN A WIDE ACCORDION', 'IN A GREEN BOX', 'AS A DECK OF CARDS', 'IN YOUR HANDS', 'IN HEAVY INDUSTRIAL FELT', 'IMMERSED IN TALLOW', 'IN AN AIRLESS ROOM', 'IN A LIBRARY', 'IN SPECIAL COLLECTIONS', 'IN THE DISCARD PILE', 'AS A COFFEE SHOP', 'IN AN EXHIBITION', 'NONCHALANTLY INSERTED BETWEEN OTHER BOOKS', 'ENCASED IN LEAD', 'IN THE LIBRARY OF BABEL', 'IN A SACK OF FLOUR'],
light_source = ['PAGES', 'DUST', 'SAND', 'MIRROR NEURONS', 'NOTHING SO FAR', 'DISCARDED NEWSPAPER', 'FAIRY TALES', 'HAND-MADE PAPER', 'OLD PHONE DIRECTORIES'],
inhabitants = ['STARLIGHT', 'FLIGHTLESS BIRDS', 'ROBOTS', 'TOUCH', 'SMELL', 'CHAMBER CHOIR', 'CANDLELIGHT', 'CHILDREN AND OLD PEOPLE', 'UNKNOWN ARTISTS', 'LOVERS', 'BOOKSELLERS', 'PEOPLE WITH TIME', 'PEOPLE WHO SING IN THE SHOWER', 'BIBLIOPHLES', 'FRIENDS AND ENEMIES', 'INSOMNIACS', 'EXISTENTIALISTS', 'YOU', 'GRADUATE STUDENTS', 'PEOPLE FROM MANY WALKS OF LIFE', 'BENETTON MODELS', 'LES REVENENTS', 'POLYGLOT READERS', 'MONGREL POETS', 'PEOPLE WHO LOVE TO READ'];
function rand_range(maximum) {
"use strict";
return Math.floor(Math.random() * (maximum + 1));
}
function choose(array) {
"use strict";
return array[rand_range(array.length - 1)];
}
function stanza() {
"use strict";
return 'A BOOK OF ' + choose(material) + '<br \> ' + choose(place) + '<br \> MADE FROM ' + choose(light_source) + '<br \> READ BY ' + choose(inhabitants);
}
function litany() {
"use strict";
var last, text, main = document.getElementById('main');
if (8 > t) {
t += 1;
} else {
main.removeChild(document.getElementById('main').firstChild);
}
last = document.createElement('div');
last.innerHTML = stanza();
main.appendChild(last);
}
function produce_litany() {
"use strict";
litany();
setInterval(litany, 5000);
}
</script>A House of Dust
a house of (material)
(location)
using (light source)
inhabited by (inhabitants)
ALISON KNOWLES & JAMES TENNEY
(COLOGNE: GBR KONIG VERLAG, 1968)
Image via KCRW.com
150 CE
Sumer, 3300 BCE Mesopotamia, 2041 BCE Egypt, 1900 BCE China, 1600 BCE
Peru, 2500 BCE / 1500 CE India & Sri Lanka, 200 BCE Greece, 800 BCE Rome, 55 CE
China, 700 CE China, 800 CE China, 1200 CE China, 1300 CE
a portable information storage and retrieval device.
A material form for dissemination of text.
the book:
Image by Megan N. Liberty for Hyperallergic
t-h-e-b-o-o-k.com
I think a book is where we explore the magical space between eyes and a bent arm.
—Jason Dodge
A book is where the far away meets the near at hand—the tea cooling on the table—the hard seat of the chair—the horn sounding outside the window
—Ann Hamilton
The book is a time travel device—allowing us to slip into the imagination of a future mind.
—Indira Allegra
The book is a dislocation device.
—Travis Shaffer
A book is a magic portal.
—Sarah Bodman
anteism.com
LaTasha N. Nevada Diggs
a slow rue. a mess of beans, of categories, of spilt personalities & pretty ribbon.
an equation. a village of fractals. a before feathers there was finger painting.
a mongol court. lebanon. syria. palestine. christianity’s ego trip.
what venice bit. the first sheet. the 18th paper cut. the holy letterpress sinking into the ocean.
the first binary ascending from the foam. the ephemeral joy of mildew.
a heat rash on plump thighs. the last ream. mecca. alpha. omega. a resurrection.
an insurrection.
Literature was never only words, never merely immaterial verbal constructions. Literary texts, like us, have bodies, an actuality necessitating that their materialities and meanings are deeply interwoven into each other.
—N. Katherine Hayles
Writing Machines (2002)
Chansonnier de Jean de Montchenu (ca. 1470, coll. BNF), 2007 facsimile, image via UC Libraries.
Alison Knowles, The Big Book (1967).
[An artist's book] integrates the formal means of its realization and production with its thematic or aesthetic issues. […] It has to have some conviction, some soul, some reason to be and to be a book in order to succeed.
—Johanna Drucker
The Century of Artists’ Books (2004)
As much acts of interpretation as material things, as much processes as objects, media are not merely storage mechanisms somehow independent of the acts of reading they record.
—Craig Dworkin
No Medium (2013)
Tender Claws, Pry (2014).