"CD Quality"
"Studio Grade"
"Audiophile Quality"
"Professional Grade"
Since we care about how it sounds, better go back to the Acoustic World...
What are the most basic components of a sound, again?
WORD LENGTH | DYNAMIC RANGE | AMPLITUDE VALUES |
---|---|---|
2 Bits | 12 dB (6dB/bit x 2 bits) |
4 |
8 Bits | 48 dB | 256 |
16 Bits–CD | 96 dB | 65,536 |
24 Bits | 144 dB | 16,777,216 |
(\( 2 ^2 \))
(\( 2 ^8 \))
(\( 2 ^{16} \))
(\( 2 ^{24} \))
1 Bit (2 values)
2 Bit (4 values)
8 Bit (256 values)
It is difficult to appreciate the accuracy achieved by a 16-bit measurement. An analogy might help: If sheets of typing paper were stacked to a height of 22 feet, a single sheet of paper would represent one quantization level in a 16-bit system.
Longer word lengths are even more impressive. In a 20-bit system, the stack would reach 352 feet. In a 24-bit system, the stack would tower 5632 feet in height-- Over a mile high. The quantizer could measure that mile to an accuracy equaling the thickness of one piece of paper. If a single page were removed, the least significant bit would change from 1 to 0.
Looked at in another way, if the distance between New York and Los Angeles were measured with 24-bit accuracy, the measurement would be accurate to within 9 inches. A high-quality digital audio system thus requires components with similar tolerances-not a trivial feat.
–from Fundamentals of Digital Audio by John Watkinson