AESCHYLUS

— Allen J. Romano, allenjromano@gmail.com

Week 1: How To Read Tragedy

Tragedy Today

Tragic Theater

Music and Dance

κατολοφύρομαι, κατολοφύρομαι
ματέρος αἷμα σᾶς, ὅ σ’ ἀναβακχεύει,
ὁ μέγας ὄλβος οὐ μόνιμος ἐν βροτοῖς,
ἀνὰ δὲ λαῖφος ὥς τις ἀκάτου θοᾶς τινάξας δαίμων
κατέκλυσεν δεινῶν πόνων ὡς πόντου
λάβροις ὀλεθρίοισιν ἐν κύμασιν

I cry, I cry, your mother’s blood that drives you mad, great happiness in mortals never lasting, but like a sail of a swift ship, which a god shook up and plunged it with terrible troubles into the greedy and deadly waves of sea. (Eur. Orestes 338-344)

c. 534 BCE

Thespis wins prize for tragedy at City Dionysia

490

First Persian Invasion

484

Aeschylus' first victory

472

Aeschylus' Persians wins first prize (oldest tragedy still surviving to today)

480 - 479

Second Persian invasion; Plataea

462

Ephialtes' reforms (i.e. radical democracy)

How do you imagine Greek tragedy?

a.

b .

c.

d.

1a

Origins

<Tragedy> arising from improvisation -- both it and comedy, tragedy from those who "led off the dithyramb," comedy from those <who led off> the phallic songs... grew gradually as they developed each aspect that came to light; and after going through many changes, it stopped when it attained its proper nature.

– Aristotle, c. 330 BCE

Arion ... is said to have been the inventor of the tragic style, and to have been the first to organize a chorus, sing a dithyramb, and give a title to what the chorus sang, and the first to introduce satyrs speaking verses.

– Suda, s.v. Arion, c. 1000 CE

Arion

fl. c. 628/4 BCE

 

(image: 17th century, Arion with dolphins)

For I know how to lead off (exarxai) the beautiful dithyramb song of the lord Dionysus, my mind blasted by wine

– Archilochus, mid 7th century BCE

1b

Form

1c

Plot

...Also as to <tragedy's> greatness, starting with insignificant plots and ludicrous diction because it was transformed from satyr <performance?> it was late in becoming serious...

– Aristotle, c. 330 BCe

1d

Audience

Part 2

Aeschylus Emerges

c. 534 BCE

Thespis wins prize for tragedy at City Dionysia

490

First Persian Invasion

484

Aeschylus' first victory

472

Aeschylus' Persians wins first prize (oldest tragedy still surviving to today)

480 - 479

Second Persian invasion; Plataea

462

Ephialtes' reforms (i.e. radical democracy)

Thespis

What we know about the fist tragedian

Aeschylus' Predecessors

competed in 499 with Aeschylus

Pratinas

competed in 499 with Aeschylus

Choerilus

Capture of Miletus mentioned by Herodotus

Phrynichus

In this struggle [Marathon] . . . Cynegeirus son of Euphorion seized hold of an enemy ship by the sternpost, and fell when his hand was severed by an axe.

– Herdotus, 6.114

  • ~ 80 plays
  • 7 survive
  • won 13 (or 28) victories
  • Aristotle: Aeschylus introduced the second actor
  • before 425 BCE: decree that anyone could stage revivals of Aeschylus plays
  • already a classic in his own time
  • compared to Sophocles and Euripides, least popular/copied/known from 300 BCE to the Renaissance

By the numbers

499 BCE

Aeschylus' debut (or 496)

484 BCE

Aeschylus first victory

472

Persians; Phrynichus dies the year before

458

Oresteia, only surviving trilogy

476 - 470?

Aeschylus invited to Syracuse by Hieron

456/5

Death of Aeschylus

  • Laius, Oedipus, Seven Against Thebes, Sphinx
  • The Oresteia: Agamemnon, Choephori, Eumenides, Proteus
  • Edonoi, Bassaridae, Neoniskoi, Lykurgos

    Suspected:
  • Egyptians, Suppliants, Danaids, Amymone

  • (Iliad) Myrmidons, Nereids, Phrygians Thalamapoioi

  • (Odyssey) Psychagogoi, Penelope, Ostologoi, Circe

  • (Aethiopis) Cares, Memnon, Psychostasia

  • (Ajax) Decision of Arms, Thracians, Salaminians

  • (Dionysus) Semele, Xantriai, Pentheus, Trophoi

  • (Adrastus) Eleusinians, Argives, Epigonoi, Nemea

  • (Argonauts) Lemnians, Hypsipyle, Kabeiroi, Argo

Trilogies

Marathon, Athenian Burial Mound

At Gela, rich in wheat, he died, and lies beneath this stone;

Aeschylus the Athenian, son of Euphorion.

His valor, tried and proved, the mead of Marathon can tell,

The long-haired Persian also, who knows it all too well.

– epitaph in Lives

Aeschylus

Behind the Beard