Tracking changes in image snips.
Examiner (EMS)
Prompt Book (PBMS)
EMS
(cast list doesn't appear in prompt book)
PBMS
EMS
PBMS
EMS
PBMS
EMS (exclamation points)
PBMS: calmer punctuation: 1 exclamation point followed by semicolons
EMS
PBMS: stage direction expanded
EMS: exclamation pts and parentheses
PBMS: semicolons and dashes
EMS
PBMS: more explicit stage direction
EMS: "Back to earth / Rebellious stone!"
PBMS: shortened speech, added stage action ("throwing the stone up I.")
EMS
PBMS
EMS
PBMS (minor incidental)
EMS
PBMS (minor punc changes)
EMS
PBMS: new stage direction
EMS
PBMS: Elaborate blocking added
PBMS enlarged
EMS
PBMS: deleted (moved?) stage prompt
EMS
PBMS: compressed/deleted/altered stage directions
EMS
PBMS: expanded stage directions: detail physical violence
EMS (”Quick!“)
PBMS (deleted word / altered punct)
EMS
PBMS: added ”!“ and stage direction
Act I Scene 2: EMS
PBMS: added setting (”with a ravelled skein of red worsted“)
EMS
PBMS: altered punct
EMS
PBMS: (added blocking)
EMS
PBMS (altered caps and punct)
EMS
PBMS (altered punct)
EMS
PBMS (altered punct)
EMS
PBMS: added blocking, stage directions
EMS
PBMS: compressed, punc altered, added stage directions
EMS
PBMS: altered punct, compressed, added stage direction
EMS
PBMS: added stage directions, altered punct
EMS
PBMS: significantly altered punct
EMS
PBMS: stage direction: “Rienzi and Claudia Rise”, altered word (“guard” to “watch”), altered punct
EMS
PBMS: added stage directions, altered punct
PBMS: added stage direction
PBMS: added stage direction
PBMS: Stage direction adds movement and urgency to lines
PBMS: added blocking
EMS: “Hast thou read”
PBMS: “Hast read”
compression
PBMS: added blocking: Rienzi moves to I, on saying “If a truth—”
PBMS: more blocking: Rienzi keeps moving as he shifts topics with “Where is Angelo?”
PBMS: added stage directions and blocking
PBMS: specific blocking cues
PBMS: added blocking / movement
PBMS: Added stage direction for “All the Citizens”
PBMS: Stage directions give placement clues and make explicit who's being referenced
PBMS: experiments with compressing a passage, reserving the ”cut” portions in pinned sections
PBMS: added stage direction for Citizens
PBMS: added stage directions: communication cue and blocking
PBMS: Added stage direction adds body language: physical connection
PBMS: added stage directions for “All the Citizens”
PBMS: more stage directions for “All the Citizens”
PBMS: Stage direction adds music: ”Military band is heard playing a march without U.C.R”
PBMS: More explicit stage directions
EMS
PBMS: added in dialogue: more precise stage direction / blocking
EMS: 1st Citizen
PBMS: changed to 3rd Citizen, added blocking
EMS
PBMS: more precise stage direction/ blocking
EMS
PBMS: emphasis added to “lineal”
EMS
PBMS: altered/reduced stage directions (no shouts)
EMS (note the 2nd Citizen's comment)
PBMS (cut out the 2nd Citizen, stage direction emphasis on crowd shouting)
PBMS: note condition of text for this scene : three fragments pieced together with pins
Ready to cut / copy / move
EMS
PBMS: added blocking; Citizens specific lines reduced to a stage direction: “Shout”
EMS
PBMS: optional compression? State 1:
PBMS: expanded State 2:
EMS
PBMS: added “a Couch in center”, struck out embroidery direction
EMS
PBMS: slight alterations (capitalization, etc); pinned text, apparently an excision from Rienzi's entrance speech later in this scene
EMS: Rienzi's entrance
PBMS (inline: compressed version)
PBMS: apparently cut portion (pinned to back of this page)
EMS
PBMS: capitalization: “Housewifery”, “Bee”
EMS
PBMS: more capitalization
EMS
PBMS: much compressed (removed middle lines about Claudia learning her power)
PBMS: cut passage pinned to bottom of same page
EMS
PBMS: more precise stage direction
EMS
PBMS: added blocking
EMS
PBMS: incidental changes; altered syntax for ending of Ursini's speech
EMS
PBMS: “droves” changed to “dozens”; punctuation altered
EMS: Angelo: ”Yet he‘s wise;”
PBMS:
Angelo: “Yet he‘s wiser”
added stage directions for Angelo's movements, music outside, blocking for Rienzi's entrance
EMS: ”Sir, I come / A suitor to you.”
PBMS: ”Sir, I come / A Suitor to thee,”
Added blocking, ”Columbs”
EMS
PBMS: stage direction added,
punc changed
EMS
PBMS: added stage direction (movement across the stage closer to Rienzi);
capitalization of ”Brother” here and throughout Rienzi’s speech, with other cap and punct changes: ”Boy” and ”Justice”)
EMS
PBMS
EMS: ”The Holy Father kneeling”
PBMS: “The Holy Pontiff kneeling”
EMS
PBMS: compressed description of the wife's voice; altered capitalization/punct
EMS
PBMS: compression?
cut marked in quotation marks
EMS
PBMS: note altered caps in Savelli's speech, and altered punct in Colonna's speech
EMS
PBMS: added stage directions
PBMS: added blocking. On immediately facing page on left: marked for inclusion: ”A Crimson Chair”
EMS
PBMS: Added blocking
EMS
EMS
PBMS: exclamation point
PBMS: detailed stage directions for exits and entries, some deleted where indicating characters present who should have exited
PBMS: Added stage direction: “(Lords and Ladies sit down)”
EMS
PBMS: added blocking; much reduced speech. (Cut portion pinned to the page, on next slide)
PBMS: Several cut lines, pinned.
EMS
PBMS: altered punct (minor)
EMS
PBMS: Added stage directions; altered punct
EMS
PBMS: exclamation point
PBMS: inserted stage direction above line: ”gives a paper to Rienzi”
EMS
EMS
PBMS: Added blocking
EMS
PBMS: corrected miscopy?
PBMS: Compressed:
cut passage pinned in quotation marks
PBMS: Added stage direction: “(all rise except Collona)” (sic)
EMS
PBMS: Added stage direction: “(Drinks)”
EMS
PBMS: Compressed Rienzi's speech; cut passage signalled and pinned in quotation marks
EMS
PBMS: Added lines for Rienzi before the masquers enter: “A fit tale of mirth; / To crown the goblet—!”
Added blocking
EMS
EMS
PBMS: altered punct
EMS (Angelo's re-entry): “An thou but...”
PBMS: Added blocking, exclamation point
”An ye but...”
EMS: ”Art frenetic Rienzi?”
PBMS: ”Art frantic, Rienzi?—”
Added blocking
EMS: “—the bold Savelli,” “knowst” ”Guilt,”
PBMS: “:—the bold Savilla” ”knowest,” “guilt”
more altered punct
EMS: ”Here in my festive home; the mutual cup”
PBMS: “The mutual cup” (deleted half line)
other punct changes
EMS: passage marked for deletion, metamark pointing to an alternate version
PBMS: much compressed version of deleted passage (preserved parts of EMS highlighted)
PBMS: cut passage (pinned on facing page)
“Did ye think the people could spare their Tribune?”
EMS: alternate passage marked to replace the previous slide's deleted speech by Rienzi
(not represented in PBMS)
“I soar / Too high above ye.”
EMS
PBMS: added stage directions (to distinguish who Angelo means by ”my father”), altered punct
EMS
PBMS: added blocking
EMS
PBMS: Gives Frangipani's question to Ursini as rhetorical question
EMS: “Nay Rome herself”
“Yet thy great father, our good Tribune—”
PBMS: ”and Rome herself—”
“Yet thy good father, our Great Tribune”
added blocking
EMS: “Beseech ye”
PBMS: “Beseech thee”
added blocking
EMS
PBMS
EMS: Rienzi's words at the Lateran church within Savelli’s speech:
PBMS: Added quotation marks to offset Rienzi’s words
EMS
PBMS: altered punct, more detailed stage directions and blocking
EMS: “the general voice / May hail his successor.”
PBMS: “the general love / May hail his successor.”
EMS: ”Already / Dost weary of the title?”
PBMS: “Already / Dost weary of the title—”
EMS: ”to direct / The royal puppets as my sovran will”
PBMS: signalled compression of Rienzi‘s speech
EMS: conversational Q & A:
“Well? / ”Alas!”
PBMS: ”Well!”
EMS
PBMS: cut line marked inter-lineally, in quotation marks
EMS
PBMS: Added stage directions: “Throws down his Glove” / ”Takes up the Glove”
Altered emphasis/exclamation:
EMS
PBMS: more specific stage directions: “and nobles”, blocking.
Lady C. specified
EMS
PBMS: Added emphasis
PBMS: added blocking and emphasis
EMS
EMS: “Bear witness to my truth.”
PBMS: “Bear witness to my oath!”
EMS
PBMS: Added blocking
EMS: Claudia asks about Angelo‘s delay
PBMS: Added question from Claudia:
“and wherefore went ye / To the Lateran dear father?”
Compression of Rienzi's answer?
EMS
PBMS: Lines altered, punct changed
EMS
PBMS: added blocking
EMS
PBMS: Added stage directions
EMS
PBMS: add word "sooth"
EMS: The “old valiant chief” isn't identified, but suggested by ”pillar” (Colonna)
PBMS: Adds speech part and speaker to identify Colonna as dead
EMS
PBMS: added stage direction:
“Rising and advancing”
EMS: struck out passage
PBMS: Altered version of cut passage pinned to page
Added: “The Prisoners!” at end of speech
Characters exit in reverse order
EMS
PBMS: added stage direction: “Guarded.”
EMS
PBMS: added blocking
EMS: deleted passage includes ”bold eye”, replaced by ”fidelity”.
PBMS: cut passage pinned to page, indicated in quotation marks
PBMS: “fidelity” struck out and replaced with “bold eye”; metamark indicating cut passage
EMS
PBMS: added stage direction
”Throwing himself into a Chair R”
EMS
PBMS: stage direction
deleted: ”Falls into Chair R”
added: ”Rising & Advancing to front C”
EMS: Deleted line:
Rienzi: ”To see / Her looks, her tears!”
PBMS: stage directions, some overwritten
PBMS: cut(?) passage pinned to page, with stage directions
EMS: ”They said he was with thee”
PBMS: “They said he was with you”
EMS
PBMS: Added stage direction
EMS: ”let thy beating heart / Be stilled”
PBMS: added line:
“let thy beating heart / Lie upon mine. so shall the mutual pang / Be stilled.”
EMS: long cut speech
PBMS: altered word, and stage direction
EMS
PBMS: refined stage direction
EMS
PBMS: Added stage direction
EMS: Deleted lines
PBMS: Compressed beyond the deletions in EMS
PBMS: Cut passage pinned to page
EMS: deleted passage
PBMS
EMS
PBMS: Added line; revised stage direction
“sinks at her father's feet”
EMS: “Claudia Colonna! . . .Rouse thee! Help me curse / Him who hath slain thy husband!”
PBMS: heavily revised, cuts or moves? call to Claudia, added lines
PBMS: cut? or optional extension 1, pinned to page
PBMS: cut? or optional extension 1, pinned to page
PBMS: cut? or optional extension 2, pinned to next page
EMS: “Think‘st thou I came here to crush / Yon feeble worm?”
PBMS: Compressed; extended passages marked for insertion
PBMS at this point, multiple pinned passages
PBMS: Adding new speeches for Lady Colonna
EMS: too many exits for Camillo
PBMS: clarified, blocking
EMS
PBMS: More detailed stage directions
EMS
PBMS: quoted passages: possible cuts?
EMS
PBMS: added passage marked
PBMS: added passage pinned to page
PBMS: “Leads them, and saints revenge in her fierce prayer”
EMS
PBMS:
EMS: signs of earlier ending to this scene
EMS
PBMS: more detailed stage directions
EMS
PBMS: added blocking
EMS: “cold cold grave”
PBMS: “cold grave”
EMS: deleted passage
PBMS
EMS
PBMS: added stage directions: “Through the Gate in the Centre of the Flat”
EMS
PBMS: abbreviated ending, with optional expansion?
PBMS: Expanded version pinned to page
PBMS: “Disposition of the Characters at the fall of the Curtain”