"Now we have not a place to lay our heads in our old age after all our Service. We live at present in rotten logg house so old & decayed that at every blast of wind we are afraid of our lives and such as it is it belongs to one of the neighbors. - - - all the rest of the Slaves are pretty well fixed and Father Verheagen wants me and my wife to live in the loft of one of the outhouses where there is no fire place Nor any way to warm us during the winter - and your Reverence Knows it is Cold enough here. I have not a doubt but cold will Kill both me and my wife here."
"Old Isaac is quite cheerful. Oh, said he, Fr. G. you ought to visit my wife. Mr. Kuhn said:... She is very large, indeed. How many horses I said did you want to carry her from Baltimore? A wagon & 5 horses. great laughing of Old Isaac, Miss Kitty & all. The fact is, Br. Kuhn had brought to Balt.e some hogshead of Tobacco & returning took Isaac's wife. She is not as big as old Nelly, Joe's mother. A good & well bred woman. ... Nelly, Old Isaac's daughter was sick, a very sensible woman."
Saidiya Hartman, “Venus in Two Acts,” Small Axe 12, no. 2 (July 17, 2008): 2-3.
I want to do more than recount the violence that deposited these traces in the archive. I want to tell a story about two girls capable of retrieving what remains dormant—the purchase or claim of their lives on the present—without committing further violence in my own act of narration. It is a story predicated upon impossibility—listening for the unsaid, translating misconstrued words, and refashioning disfigured lives—and intent on achieving an impossible goal: redressing the violence that produced numbers, ciphers, and fragments of discourse, which is as close as we come to a biography of the captive and the enslaved.
Anthony W. Dunbar, “Introducing Critical Race Theory to Archival Discourse: Getting the Conversation Started,” Archival Science 6, no. 1 (March 1, 2006): 116, https://doi.org/10.1007/s10502-006-9022-6.
The first counterstory approach within the archives is the development of counternarratives that bring to the surface issues of racial dis-enfranchisement that are submerged based on a socio-historical archive’s mission which is likely to have been heavily influenced by marginalizing dominant culture realities. The second counterstory approach is a socio-historical archive that exists within itself as a form of counterstory to a dominant narrative.
Jessica Marie Johnson, “Markup Bodies: Black [Life] Studies and Slavery [Death] Studies at the Digital Crossroads,” Social Text 36 (2018): 71.
Histories of slavery offer digital humanists a cautionary tale, a lesson in the kind of death dealing that happens when enumerating, commodifying, and calculating bodies becomes naturalized. Doing truly embodied and data-rich histories of slavery requires similarly remixing conceptual, discursive, and archival geographies, with deliberate, pained intimacy, and, likely, some violence. But black digital practice challenges slavery scholars and digital humanists to feel this pain and infuse their work with a methodology and praxis that centers the descendants of the enslaved, grapples with the uncomfortable, messy, and unquantifiable, and in doing so, refuses disposability.
Differences in the etymological roots of the terms data and capta make the distinction between constructivist and realist approaches clear. Capta is “taken” actively while data is assumed to be a “given” able to be recorded and observed. From this distinction, a world of differences arises. Humanistic inquiry acknowledges the situated, partial, and constitutive character of knowledge production, the recognition that knowledge is constructed, taken, not simply given as a natural representation of pre-existing fact.
Johanna Drucker, “Humanities Approaches to Graphical Display,” Digital Humanities Quarterly 005, no. 1 (March 10, 2011). http://www.digitalhumanities.org/dhq/vol/5/1/000091/000091.html
Tidy datasets are easy to manipulate, model and visualize, and have a specific structure: each variable is a column, each observation is a row, and each type of observational unit is a table.
Hadley Wickham, Journal of Statistical Software, 2014
Document description case studies
Develop Simple Model that uses single class with common properties to describe all events.
Develop Event Type controlled vocabulary.
Create description for testing universe documents using both models.
Design Complex Model with event classes derived from the controlled vocabulary.
Select and refine the model that adequately describes the domain while also being usable.
Vocab of 3 classes and 79 properties and Event Type (109), Freedom Status, Action Status, and Date Certainty controlled vocabularies.
Defining properties, terms, data types, usage, and frequency.
Omeka S Resource Templates for four record types: Event, Person, Organization, and Place.