How-to
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I studied film, storytelling and animation and I will be speaking about panelling with a slight focus on those things.
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Use the chat function to ask each other questions and suggest ideas during the presentation. Mute your microphone to avoid disruption.
Think of a small story that you would like to tell in comics format and write it down in a few sentences
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It can be a complete story or part of a bigger storyΒ
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Share it with your group
Magic realism bot on Twitter: @MagicRealismBot
Squibler plot generator:
https://www.squibler.io/plot-generator
AI story writer:
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π Long format print
Β π Short format print
π° Zine
π Webcomic
π¬ Social media
π€ΉββοΈ Multiple formats
Your readers experience your content via page-flipping and there's generally more room to make your panels interact with each other
(Mixam)
Graphic novel:
https://mixam.co.uk/graphicnovels
Comic books:
Source: https://blog.nocturnalmonkey.com/comic-grid/
More examples: https://forums.tapas.io/t/comic-book-layouts/19207/2
The world is mobile now; most readers of web comics will look at them on their phone. This means that you have less room to put panels side-by-side.
Nomads - Webtoon
Clip Studio Paint:
Another format of webcomic is social media, that you can use to make tiny short comics. You'll typically create four to ten panels to be shared in a slideshow.
@sarahgraley
Always google before starting a new project, as social media keeps evolving!
Once you're aware of how all the formats work, you can prepare a base that will allow you to print AND split in squares to share on social media, for example.
Think about what you just learned and decide which type of media your story will be made for.
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Create a file / open your notebook and draw a rough grid, whether side-by-side panels for print or panels on top of each other for a webcomic.
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This is just an exercise, donβt worry about getting it perfect!
How can you best position and display your characters, backgrounds and action?
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Inception - 2010 - Trailer
Close-ups
Action
Long shots and wide angles
In films and comics, you have to choose where your camera is in relation to the subject! Closer, further away, up, down...
Limited space on the page! πͺ π
So multiple things can happen on the same panel ππ»ββοΈ
Inception - The Cobol Job
No sound or movement! π
So we use speech bubbles π¬,Β sound and visual effects π₯
Inception - The Cobol Job
Different consumer expectations π©π»βπ«
People get bored with a film more quickly, so it needs a lot of different angles that last for only a few seconds β±
Inception - The Cobol Job
πΈ π€‘
Extreme wide
Wide/long
Buildings
Aerial view
Full
Medium
Over the shoulder
Walking away
Medium close-up
Close-up
Extreme close-up
Low depth-of-field
High angle
Low angle
Tilted (dutch angle)
Silhouettes
Alison - Lizzy Stewart
πͺ©
Camera conventions in graphic novels:
https://www.rivkah.com/lets-make-magic/camera-conventions-in-graphic-novels/
Types of Film Shots:
Wally Wood's 22 panels that always work:
https://cloudfour.com/thinks/22-panels-that-always-work-wally-woods-legendary-productivity-hack/
https://inked-dreams.com/2021/09/14/wally-woods-22-panels-with-examples/
How to help your reader see what you want them to see?
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@foksia - Unsplash
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@emilyotwell - Unsplash
@whynotnatali - Unsplash
Daytripper - FΓ‘bio Moon & Gabriel BΓ‘
Nice to Meet You - Wishroomness - Webtoon
Sinavore - Spiller, Waugh, Shafi and Racicot
Joy Operations - Brian Michael Bendis & Stephen Byrne
Use the grid you have created in the previous activity.
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Start sketching your story (or a part of it) using a mix of different shots. Experiment with adapting or breaking freeΒ of the grid. Think about guiding the reader from panel to panel.
Β Once youβve got something to show, use the breakout room to share what you have createdΒ with the others.
There
are
no
ugly
drawings
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(unless you want them to be ugly!)
ππ£