Jacques Paye
19th–20th century
Cameroon, Western
Bamileke
Cotton, glass beads, wood
154.9 x 62.2 cm
Aka Elephant Mask
Cultural Context: Bamileke
Content: Elephant
Formal Aspects: Hatching, colors blended, beads
Function: Masquerade
Aka Elephant Mask:
Aka Elephant Mask
Bamileke masquerader with a
beaded Leopard crest
Aka Elephant Mask
LEOPARD HEAD PIECE
Collected by A. Diehl in Batcham, 1911
75265, L. 19 in. (48 1/2 cm)
Beads of four sizes; colours: white, light green, red
Date: mid-18th to mid-19th century
Southern Cameroon
Fang
Wood, Iron
Dimensions: 58.4 x 14.9 x 12.7 cm
Reliquary figure (byeri)
Cultural Context: Fang, ancestor worship
Content: Male ancestor figure
Formal Aspects: Highly stylized
Function: Attached to skull basket, ancestor worship
Reliquary figure (byeri)
Reliquary figure (byeri)
Mummiform Figure, after 305 B.C.E. Wood, paint, 14 1/4 x 3 9/16 x 9 1/8 in. (36.2 x 9 x 23.2 cm). Brooklyn Museum, Charles Edwin Wilbour Fund
Fang. Reliquary Guardian Figure (Eyema-O-Byeri), 19th-20th century. Wood, 21 1/2 x 5 1/2 x 7 1/2 in. (? x 14.0 x 19.0 cm). Brooklyn Museum, The Adolph and Esther D. Gottlieb Collection
Late 19/Early 20th century
DRC
Chokwe
Wood, Plant Fiber, Copper
Dimensions: 39.1 x 21.3 x 23.5 cm
Female (Pwo) Mask
Cultural Context: Chokwe, central Africa
Content: Founding female ancestor
Formal Aspects: Highly stylized
Function: Used by male to play role of female ancestor
Female (Pwo) Mask:
Female (Pwo) Mask:
Date: 19th–early 20th century
Geography: Angola, Xassenge region
Culture: Chokwe peoples
Medium: Wood, fiber, brass, pigment
Dimensions: H. 10 5/8 x W. 7 in. (27 x 17.8 cm)
Female (Pwo) Mask:
19th/20th century CE
Sierra Leone
Mende
Polished hardwood
Bundu Mask
Cultural Context: Sande secret society
Content: Ancestral spirit with female features
Formal Aspects: Stylized, intricately carved
Function: Used as formal disguise during most important Sande rituals.
Bundu Mask:
Bundu Mask:
Akkadian bronze head, found in Nineveh, perhaps head of Akkadian king Sargon of Akkad
A Bundu mask in a slightly different style.
1000-1400 CE
Southeastern Zimbabwe
Granite blocks
Shona peoples
Conical tower and circular wall of Great Zimbabwe
Conical tower and circular wall of Great Zimbabwe
Cultural Context: Ancestors of Shona
Content: Great Enclosure, 33-foot tall tower.
Formal Aspects: Excellent stonework, potentially symbolic structures
Function: Capital of kingdom, seat of royalty, up to 18,000 inhabitants.
Conical tower and circular wall of Great Zimbabwe
Dromos entrance to the Treasury of Atreus
The tower at Gonbad. Mausoleum of powerful regional warlord.
founded c. 1200 CE
Rebuilt 1906-1907
Mali
Adobe
Great Mosque of Djenné
Great Mosque of Djenné
Cultural Context: Sudano-Sahelian
Content: Enormous adobe structure
Formal Aspects: Sun-baked bricks covered with mud coating. Decorative palm.
Function: Islamic mosque. Repaired every year.
Great Mosque of Djenné
White Temple and its ziggurat. Uruk (modern Warka, Iraq). Sumerian. c. 3500–3000 B.C.E. Mud brick.
Tomb of Askia Mohammad I, modern-day Gao, Mali. 1495, mud and wood imported from Mecca.
c. 1700 CE
South central Ghana
Adobe
Ashanti peoples
Gold over wood and cast-gold attachments
Sika dwa kofi (Golden Stool)
Sika dwa kofi (Golden Stool)
Cultural Context: Ashanti people
Content: Curved seat. Hanging bells.
Formal Aspects: Wooden, covered with gold. Gold is color of royalty.
Function: Stool allegedly fell from sky onto lap of Osei Tutu. Believed to house spirit of nation.
Sika dwa kofi (Golden Stool)
"Elgin Throne"
Artist/Maker(s): Unknown
Culture: Greek
Place(s): Athens, Greece (Place found)
Date: 4th century B.C.
Medium: Marble
Throne of King Tutankhamun.
Valley of Kings, Egypt. ca. 1323 BCE
Sources: