gen·re
/ˈZHänrə/
n. a coherent and recurring configuration of literary features involving form (including structure and style), content and function.
Form Criticism
Structural Criticism
Rhetorical Criticism
First, some background...
Genres cannot be defined exclusively, and not even primarily, by characteristics of form. ...
~ Erhard Blum, Formgeschichte -- A Misleading Category? Some Critical Remarks, p.33
Moreover, there is a threat of losing a simple elementary distinction: the distinction between the concrete, individual, particular text and the abstract, transindividual pattern of text formation, that is, the ‘genre.’
In literary theory, structuralist criticism relates literary texts to a larger structure, which may be a particular genre, a range of intertextual connections, a model of a universal narrative structure, or a system of recurrent patterns or motifs.
Presidential address at SBL 1968
Seen as the start of Rhetorical Criticism
Entitled "Form Criticism and Beyond"
Muilenburg's Address
A responsible and proper articulation of the words in their linguistic patterns and in their precise formulations will reveal to us the texture and fabric of the writer's thought, not only what it is that he thinks, but as he thinks it
Muilenburg's Address
~ Phyllis Trible, Rhetorical Criticism, p.26
Three Emphases of Rhetoric Criticism
~ Phyllis Trible, Rhetorical Criticism, p.26
A literary genre exists for itself alone as little as does an individual work of art
~ H. R. Jauss, Toward an aesthetic of reception, p.105
Genre helps us to describe texts by singling out textual components worthy of attention
Genre directs the ways in which we write, read, and interpret texts
Genre prescribes artistic practices
Genres help us to evaluate literary works
There's not one
People are still managing
Also, see The Hermeneutical Spiral
Let's do an experiment