Thesis & Proposition
The film Sunshine presents us with a object-oriented problem: directly addressing the issue of the hyperobject in climate change directs the horror of our own complicity on us, causing a fracturing of identity and purpose.
The presence of the mutated man in Sunshine is evidence of pessimism in light of our orientation toward objects, but also presents the opportunity for optimistic response to horror and future threats.
(from The Craft of Research, Booth and others, 3rd edition)
Substantiation and Proof
from Lewis & Maslin—claim and support
Wayne Booth, The Craft of Research
Wayne Booth, The Craft of Research