DOCUMENTARY
INTRODUCTION
Although this presentation focuses exclusively on Santiago de Cuba, we will be expanding the reach of the documentary to cover the other two cities featured in the sessions. The MANANA team have spent the last two years building connections with the Cuban Government, Cultural Institutions and the wider Cuban music community across the island and we will be using these partnerships to create a detailed, intimate portrait of the forgotten and hidden corners of the Cuban music landcape.
OUR APPROACH
We will be selecting a mixture of strong, charismatic and multilingual musicians with a clear connection to the history of folkloric music to bring to life the colour and vibrancy of Cuba's musical scene. We have also chosen a presenter who is able to seamlessly navigate the musical and cultural landscapes of all three cities; his role will be to entertain and educate the Boiler Room audience, whilst giving them access to the island's hidden musical treasures.
OUR PRESENTER
ALAIN GARCIA ARTOLA
He was the star of 2010 documentary Golden Scars, is bilingual in English and Spanish, and is equally comfortable freestyling as he is writing poetry, singing Changui, debating politics, or talking about religion. As presenter of this documentary he can bridge the gap between modern Cuban music and the ancient Folkloric traditions of the island as a whole.
Alain representing Santiago and his band T.N.T La Resistencia at a photo shoot in Havana 2 years ago. These days the band have begun experimenting with a fusion of Hip Hop and traditional folkloric music.
Alain talking politics, music, and what the MANANA festival could mean for Cuba. He has a strong intellectual understanding of role of Folkloric tradition in modern Cuban music.
THE CHARACTERS
OFFUN
NAGBI
Babaaláwo is a spiritual title that denotes a Priest of the Ifá religion. The Babaaláwo ascertain the future of their clients through communication with Ifá. This is done through the interpretation of either the patterns of the divining chain known as Opele, or the sacred palm nuts called Ikin.
Babaaláwo's undergo training in the memorization and interpretation of the 256 Odu or mysteries, as well as in the numerous verses or Ese of Ifá. This is a dawn prayer to the Ifá gods on the hills of Santiago.
Orisha ceremonies range from quiet offerings and prayers to full-on rum fuelled parties. They often take place in people's houses and courtyards and sometimes last for up to 8 hours.
CARLOS
GUERRA
Carlos is the band leader of Obbatuke, one of the top three Rumba bands in the country. He has played with Muñequitos de Matanzas and Yoruba Andabo but has so far resisted numerous attempts to persuade him to move West to Havana. He's a joker, drinker and has a keen eye for the ladies.
Often a crowd will form on the neighbouring rooftops to watch and dance as Carlos practices. Music is at the heart of Santiago de Cuba and flows through the streets of the city.
This is a high quality MANANA recording of Carlos's band Obbatuke playing at the renowned Casa del Caribe, home of Santiago's Rumba scene.
GALIS
RIVERI
Founder of the highly respected 'Conjunto Cutumba' and a consultant for the government's 'Comisión Nacional de Evaluación Musical', he has mentored many of the finest drummers in Cuba, including percussionists from the legendary Yoruba Andabo.
This video shows Galis playing the Bata drum with his wife and son. Part of the challenge in the documentary will be breaking down the complexity and finesse of the syncopated rhythms that exist within Folkloric music.
At 76 years old, Galis is one of the most respected Fundamento bata drum makers alive today. He is an authority on Cuban Folkloric music, and is often sought out and referenced by musicologists.
WHAT NEXT?
NEXT
STEPS
If Boiler Room are happy with our approach, we can complete a similar presentation for the remaining two cities and circulate specs for the production equipment that is available in Cuba. We will also follow up early next week with a similar deck outlining our recommendations for the three Boiler Room sessions.
THANK YOU