With the end of the US trade embargo in sight it’s an electrifying time for Cuba’s world-renowned music scene. Cubans are hungry for change but not at the expense of sacrificing their cultural roots.
Through discussions with the Cuban government, musicians and institutions it is clear that creating meaningful cultural connections will help young Cubans not only preserve, but build on the vitality of their heritage and identity.
INTRODUCTION
WE ARE
MANANA
Founded by a Santiaguero and a Londoner and backed by the Cuban Government, MANANA is a partnership between Cuba and the West designed to leave a legacy of music and cultural exchange.
For them MANANA is about hunger for knowledge and cultural development. It is based around community and friendship.
But most importantly it’s about making music.
MANANA (Ma’na’na) is a word that is deeply rooted in Cuban music. Put simply, it is the flow of an artist and the spiritual connection that opens up with their audience.
DEFINING
MANANA
ALAIN GARCIA ARTOLA - MANANA CO FOUNDER
CUBAN FOLKLORIC MUSIC
Is a part of the modern identity of all Cubans in one form or another - be it their connection to dance and their bodies, their religious beliefs or a way of strengthening bonds in their local community.
ELECTRONIC MUSIC
Transcends borders and adopts varied cultural references. It is a way of listening and an attitude to the dance floor, but most importantly to MANANA it embraces new technology as a means of development.
Despite its importance within Cuba, Folkloric Music has been all but forgotten outside of the country. MANANA will provide the Electronic Music Community with the opportunity to learn from Cuban Masters who have spent a lifetime refining their artistic skill.
In return, Electronic Music offers diverse perspectives on innovation and technology that MANANA are incorporating into wider discussions about recording, production, promotion and distribution, helping Cuban Folkloric Music reconnect with the wider world on their own terms.
OVERVIEW
OF THE PROJECT
We anticipate that most festival attendees will be flying in to Havana and spending between one and two weeks in the country. This provides us with an opportunity to curate their trip as they travel from the west side of the island to Santiago in the east.
Our goal is to set up cultural events along the journey, using our knowledge and connections to direct travellers off the beaten trail and into a Cuba that has long since fallen out of the guide books. By the time they reach Santiago they'll have a completely unique perspective on the island's breathtaking natural beauty and cultural heritage that will allow them to further appreciate the range of Folkloric music at the Festival.
AMPHITHEATRE
15,000 MAIN HEADLINE
CUBA
ELECTRO
HALLS x2
1200
CURATED STAGES
ROOMS
LECTURES
WORKSHOPS
ART INSTALLATION
THEATRE
2,300
SIT DOWN CONCERTS
VISUAL SHOWS
OUTDOOR
1,500
LABEL STAGE
COMMUNITY
15 VENUES
(50-500)
MANANA PARTNERS
INSTITUTION EVENTS
CARNIVAL
The legacy that MANANA 2016 leaves is the most important aspect of this project.
ALAIN GARCIA ARTOLA
Alain is a musician from Santiago de Cuba. He is a founder of the Santiago rap movement and director of professional hip hop trio TNT la Rezistencia. He has been involved in many collaborative projects with both Cuban and international artists.
HARRY FOLLETT
Was a Strategic Director at WPP agency, Mindshare, looking after brands such as M&S, Chanel & Unilever. Harry has lived in Santiago de Cuba and trained as a percussionist with a selection of Cuban Masters.
JENNER DEL VECCHIO
Was a Digital Producer who has overseen website and app builds on brands including Pernod, Unilever, McLaren & Google. He has travelled extensively in Cuba and has organised Electronic Music Events for Beatabet in Edinburgh.