Wearable Art

AY 23/24

Wearable Art

Prepared by: MDRN

B-FA222_332 STUDIO ELECTIVE WS

LASALLE College of the Arts

Singapore

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AY 23/24

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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Introduction

AY 23/24

Wearable Art

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Muhammad Dhiya Bin Rahman [MDRN]

rahman.dhiya@lasalle.edu.sg

Dhiya also known as MDRN is an artist, designer, maker and probably Singapore's only surfboard shaper/builder. He is partner at STUDIO SWELL which works on prints, branding, graphic design. Runs an art studio, neuwave, dealing with installations and object making. Makes surfboards under the label The Happy Poison Gang.

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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The Oort Cloud & Blue Mountain

Groninger, Holland

recent work

AY 23/24

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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Mobile Plant Rack

recent work

AY 23/24

The Oort Cloud & Blue Mountain

Dresden, Germany

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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recent work

AY 23/24

On Learning (about wearable art)

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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Wearable Art is an elective course that focuses on implementing 3D techniques and materials to the human body in creative, expressive and kinetic ways. The outcomes generated will encompass and intersect between Making, Context, Kinesthetics and Aesthetics.


Through a series of recommended readings, references, weekly in-class exercises and classroom discussions will trigger and generate ideas that can be visually, physically and kinesthetically applied to the human body that will be considered as an empty ‘canvas’. You are encouraged to use these readings, visual research, weekly explorations and experimentations in materials and techniques to support your practical work and to consider fragments of them as starting points or context for your project. In a series of making workshops you will be introduced to materials and techniques that will specifically focus on various parts of the body, you will be required to experiment and explore in these workshops to find unique and creative ways in expressing possibilities of the human body as an empty ‘canvas’ that is paradoxically static and dynamic.


This course aims to discover the qualities and potentials of 3D art practice through abstract interpretation, representation and aesthetics via the human body as an alternative to space. Furthermore, you will be exposed to relevant making techniques, material properties and potentials, experiments and explorations with the human body to give form to your ideas and present them through a series of images and/or videos documentation as well as a short physical installation/performance for the One Night Only showcase.

Past works:

AY 23/24

On Learning (weekly outlines)

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-1

week-1: head paper & 1 other material

week-2: face foam & 1 other material

week-3: arms fabric & 1 other material

week-4: torso cardboard/greyboard/foamboard & 1 other material

week-5: legs rope/wire & 1 other material

week-6: combination choose 2 body parts, materials you choose

week-7: proposal written proposal & 10mins presentation

week-8: break 

week-9: production 1 

week-10: production 2

week-11: production 3

week-12: ONO showcase, performance/installation

AY 23/24

On Learning (expectations)

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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making

experimentations

discussions

craftsmanship

aesthetics

documentation

conceptualisation

AY 23/24

On Learning (deliverables)

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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journal

object/sculpture

documentation (images & videos)

installation/performance/runway (ONO)

 

proposal

presentation

AY 23/24

wearing art?

HUH?!?!

Wearable Art

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start with questions???

AY 23/24

how do we wear art?Yeah how?...

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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limitations, technicalities, materiality, form ...

AY 23/24

where do we start?

THEME?TOPIC?SUBJECT?

Wearable Art

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The class of Wearable Art AY23/24 will be required to produce a wearable art piece referencing and translating Bother Joseph McNally's work.

 

The aim of this theme is to celebrate the 100years of Brother Joseph McNally and the wearable art piece is to be featured in LASALLE's Centenary Celebrations.

 

Wearable Artists are to research, study, reference and translate Brother Joseph McNally/s. Here is an online collection on some of his works. It is encouraged to look into various sources of information and news related to him and observe his works physically, they can be found within LASALLE Campus.

 

Look into the materials he used, forms expressed, textures imprinted or techniques implemented to use as starting points for the work.

 

Artists are to then present and propose their ideas before the execution and production of work.  

AY 23/24

how can we make the work potentially to be even more interesting?

kinetic? poetic? aesthetic? materiality? details!

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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add values to your work, set criterias!

AY 23/24

how well do we know the human body?

its abilities and capabilities?

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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test and experiment > evaluate and decide

AY 23/24

head

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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in-class exercise-1

Objective: To focus on the head and head movement as a canvas for the materials and techniques to be expressed on.

 

Primary material - Paper

Secondary material - Student to consider, propose and use.

 

x1 sculpture

documentation (images&videos)

 

90mins+-

AY 23/24

you are to create a sculpture out of paper and another material of your choice, the sculpture should be able to adhere to your head.

The sculpture should possess;

a)fundamental principles

b)good degree of craftsmanship

c)aesthetics not to be compromised

d)anything unique and interesting to add value

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-1

brief

2.finish 10mins before class for "show & tell"

1.document the process, document the finished outcome, document to be on point.

 

Document to be uploaded to the shared Google Drive folder

AY 23/24

research Brother Joseph McNally

choose 1 image of his* work, upload to shared drive, prepare to talk about the work next week

source & bring materials & tools for in class exercise

update journal

research

references

readings

AY 23/24

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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homework & next week

week-2

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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foam

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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who primarily uses/works with foam?

what are the types of foam available?

where can you find foam?

when would you use foam?

why would you consider foam as a material to work with?

which artist works well with foam?

how do you work with foam?

 

material

accumulation & aggregation

AY 21/22

Wearable Art

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accumulation is

 

  • The act of amassing or gathering, as into a pile.
  • The process of growing into a heap or a large amount.
  • A mass of something piled up or collected.

 

aggregation is

 

  • The act of collecting together (aggregating).
  • The state of being collected into a mass, assemblage, or sum (aggregated).
  • A collection of particulars; an aggregate.

approach

tara donovan

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-2

accumulation & aggregation in art (artist reference)

Wearable Art

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AY 21/22

maiko takeda

Wearable Art

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accumulation & aggregation in wearable art (artist reference)

AY 21/22

Wearable Art

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AY 21/22

AY 21/22

Wearable Art

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cyrus kabiru

AY 21/22

Wearable Art

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(artist reference)

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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AY 21/22

Wearable Art

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(visual reference)

face

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-2

in-class exercise-1

Objective: To focus on the face, features and expressions as a canvas for the materials and techniques to be expressed on.

 

 

Primary material - Foam

Secondary material - Student to consider, propose and use.

 

x1 sculpture

documentation (images&videos)

 

90mins+-

you are to create a sculpture out of foam and another material of your choice, the sculpture should be able to adhere to your face or parts of your face.

The sculpture should possess;

a)accumulation & aggregation

b)good degree of craftsmanship

c)aesthetics not to be compromised

d)anything unique and interesting to add value

i.e using expressions or facial movements to move the sculptural elements

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-2

brief

2.finish 10mins before class for "show & tell"

1.document the process, document the finished outcome, document to be on point.

Document to be uploaded to the shared Google Drive folder

source and bring materials & tools (fabric)

finish/improve in-class exercise

improve documentation (surrounding background?)

update journal

research

references

readings

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-2

homework & next week

week-3

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

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fabric

how is fabric made?

what are the types of fabric available?

who primarily uses/works with fabric?

where can you find fabric locally?

when is fabric used?

why would you consider fabric as an art material to work with?

which artist works well with fabric?

how do you work with fabric?traditional vs alternative?

 

material

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

fabric vs textile

Is textile the same as fabric?

 

They range from fibers woven together to a finished product, ready for use. In addition, fabric is still under the textile umbrella. So in other words, you can make fabric and textiles from the same materials.

material

To summarise, not all textiles are fabric, while all fabric is a textile

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

natural vs man-made

Definition of a fibre:

material

‘Any substance composed of a thread-like tissue whether animal vegetable or mineral, especially when it is capable of being spun or woven’.

- Dorothy Burnham A Textile Terminology Warp & Weft.

manipulation techniques

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

traditional ways

of working, producing and/or manipulating fabric;

 

  • sewing
  • weaving
  • punch needling
  • printmaking
  • can you list more?

 

alternative ways

of working, producing and/or manipulating fabric;

 

  • lasercutting
  • 3d printing
  • composites
  • adhesives
  • can you list more?

approach

anni albers

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

(artist reference)

nora fok

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

(artist reference)

noa raviv

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

(artist reference)

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

arms

in-class exercise-1

Objective: To focus on the arms and hands as a canvas for the materials and techniques to be expressed on.

 

Primary material - Fabric

Secondary material - Student to consider, propose and use.

 

x1 sculpture

documentation (images&videos)

 

90mins+-

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

you are to create a sculpture out of fabric and another material of your choice, the sculpture should be able to adhere to your arms.

The sculpture should possess;

a)manipulation of material

b)interesting forms

c)unique aesthetics

d)anything unique and interesting to add value

i.e using arm gestures + materiality of fabric

brief

2.finish 10mins before class for "show & tell"

1.document the process, document the finished outcome, document to be on point, document to be uploaded to the shared Google Drive folder

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

‘This is the rule I always give myself: that nothing new can come from a situation that involves being free or that doesn’t involve suffering.’

words of wisdom

Going around museums and galleries, seeing films, talking to people, seeing new shops, looking at silly magazines, taking an interest in the activities of people in the street, looking at art, travelling: all these things are not useful, all these things do not help me, do not give me any direct stimulation to help my search for something new. And neither does fashion history. The reason for that is that all these things above already exist.

 

I only can wait for the chance for something completely new to be born within myself.

 

The way I go about looking for this from within is to start with a provisional ‘theme’. I make an abstract image in my head. I think paradoxically (oppositely) about patterns I have used before. I put parts of patterns where they don’t usually go. I break the idea of ‘clothes’. I think about using for everything what one would normally use for one thing. Give myself limitations. I pursue a situation where I am not free. I think about a world of only the tiniest narrowest possibilities. I close myself. I think that everything about the way of making clothes hitherto is no good. This is the rule I always give myself: that nothing new can come from a situation that involves being free or that doesn’t involve suffering.

In order to make this SS14 collection, I wanted to change the usual route within my head. I tried to look at everything I look at in a different way. I thought a way to do this was to start out with the intention of not even trying to make clothes. I tried to think and feel and see as if I wasn’t making clothes.

 

- Rei Kawakubo, October 2013

source and bring materials & tools (cardboard/greyboard/foamboard)

finish/improve in-class exercise

improve documentation (surrounding background?)

update journal

research

references

readings

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

homework & next week

week-4

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-4

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-4

cardboard/greyboard/foamboard

(sheet material)

how are these materials made?

what are the main usages for these materials?

where can you find these materials locally?

why would you consider these materials as an art material to work with?

which artist works well with these materials?

how do you work with these materials?traditional vs alternative?

 

material

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-4

structural integrity

Structural integrity is the study of the safe design and assessment of components and structures under load, and has become increasingly important in engineering design. It integrates aspects of stress analysis, materials behaviour and the mechanics of failure into the engineering design process.

material

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-4

cardboard

visual references

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-4

torso

visual references

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-4

torso

visual references

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-4

shapes>form

Use simple primitive shapes to create possible form/s. Use visual principles static, dynamic, path, direction, repetition, rotation, symmetry, assymetry, gestalt, contrast as starting points.

 

Consider size, dimension, quantity!

approach

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

torso

in-class exercise

week-4

To focus on the body’s torso and movement as a canvas for
the materials and techniques to be expressed on.

 

Primary material - Cardboard/Greyboard/Foamboard

Secondary material - Student to consider, propose and use.

 

x1 sculpture 

documentation (images&videos)

 

90mins+-

?

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

Firstly, you are to create a design from the approach, plan & sketch. Secondly, it should be made out of cardboard / greyboard /  foamboard consider the design and production. Finally you are to create a wearable that should be able to adhere to your torso.

The sculpture should possess;

a)manipulation of material

b)interesting forms

c)unique aesthetics

d)anything unique and interesting to add value

i.e using torso gestures + exaggerated forms

brief

2.finish 10mins before class for "show & tell"

1.document the process, document the finished outcome, document to be on point, document to be uploaded to the shared Google Drive folder

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-3

Wearable Art format Options;

1) Runway Show - Work to finish before show, model???, Integrity of work, Programming/Scheduling, Performative

 

2.1) Installation A (Image, Video, Work) - Work to finish week++ earlier, Equipment, Logistics, Presentation format/s, Static

 

2.2) Installation B (Site Specific) - Work to finish before show, Time, Site, Performative

 

*Chosen option to be discussed with Artist as Curators

ONO Showcase Discussion

source and bring materials & tools (rope & wire)

finish/improve in-class exercise

improve documentation (motion?)

update journal

research

references

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-4

homework & next week

week-5

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

rope & wire

(freeforming material)

how are these materials made?

who in history makes and uses ropes or wires?

what are the materials common and uncommon uses?

why would you consider these materials as an art material to work with?

which artist works well with these materials?

how do you work with these materials?traditional vs alternative?

 

material

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

freeforming!structure?

techniques on working with the material?

*knots

*tension

*weaving

*skeletal

material

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

rope & wire

visual references

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

rope & wire

visual references

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

rope & wire

visual references

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

rope & wire

visual references

legs

in-class exercise

To focus on the legs and its movement as a canvas for
the materials and techniques to be expressed on.

 

Primary material - rope and wire

Secondary material - Student to consider, propose and use.

 

documentation (images&videos)

 

90mins+-

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

you are to a create wearable reflecting on the usage of rope & wire, the wearable should adhere to the legs and you should use movement as a motivation to the wearable your are going to produce.

The sculpture should possess;

a)manipulation of material

b)interesting forms

c)unique aesthetics

d)anything unique and interesting to add value

i.e using kicking as an expression + trailing ropes

brief

2.finish 10mins before class for "show & tell"

1.document the process, document the finished outcome, document to be on point, document to be uploaded to the shared Google Drive folder

finish/improve in-class exercise

improve documentation (gifs, videos)

update journal

research

references

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-5

homework

1. prepare proposal of wearable for ONO

          - use proposal template provided

          - proposal to be uploaded into shared-drive before class next week

 

2. prepare proposal of wearable for ONO

         - presentation should not be more than 10mins

         - use Google slides for presentation slides and upload slides in shared-drive

 

3. refine all in-class exercises documentation in shared-drive

          - provide low resolution (72dpi)

          - ensure images are in .jpg or .png

          - rename all files as such: name-titleOfWork-1/2/3.jpg

 

*please bring along other supporting materials for presentation

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

next week (week 7)

week-6

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

head + paper

in-class exercise-week-1

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

face + foam

in-class exercise-1week-2

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

arms + fabric

in-class exercise-week-3

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

torso + cardboard/greyboard/foamboard

in-class exercise week-4

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

legs + rope/wire

in-class exercise week-5

Combination

in-class exercise

To focus on the 2 body parts and imovement as a canvas for
the materials and techniques to be expressed on.

 

Primary material - Students to consider, propose and use

Secondary material - Student to consider, propose and use.

 

documentation (images&videos)

 

120mins+-

 

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

you are to a create wearable focusing on 2 body parts, the wearable should adhere to the body parts and you should consider movement to increase the uniqueness off the wearable your are going to produce.

The sculpture should possess;

a)manipulation of material

b)interesting forms

c)unique aesthetics

d)anything unique and interesting to add value

brief

2.finish 10mins before class for "show & tell"

1.document the process, document the finished outcome, document to be on point, document to be uploaded to the shared Google Drive folder

1. prepare proposal of wearable for ONO

          - use proposal template provided

          - proposal to be uploaded into shared-drive before class next week

2. prepare proposal of wearable for ONO

         - presentation should not be more than 10mins

         - use Google slides for presentation slides and upload slides in shared-drive

 

3. refine all in-class exercises documentation in shared-drive

          - provide low resoultion (72dpi) and high resolution (300dpi) images in .jpg format

          - rename all files as such: name-titleOfWork-1/2/3.jpg

 

*please bring along other supporting materials for presentation

AY 21/22

Wearable Art

B-FA222_332 STUDIO ELECTIVE WS

week-6

next week (week 7)

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