How is Chicano/a identity expressed through music?
Yo soy Chicano, by Malaquías Montoya. Smithsonian American Art Museum.
The overarching essential question for Lesson 1 is:
25 minutes
Chicano Pride Logo, designed by Custom Creations.
It’s complicated . . .
This term gained popularity in the late 1960s.
It is associated with the Chicano movement.
The term generally describes people with Mexican heritage living in the United States.
However, this term’s true meaning is complex and deeply personal.
The term Chicana/o relates to the formation of both individual and group identities.
Importantly, it expresses feelings of pride about this element of cultural heritage.
Brown and Proud, by David Silva. Smithsonian American Art Museum.
What can these lyrics tell us about Chicano/a identity?
Where (geographically) do you think you might hear this type of music?
This type of music is most commonly heard along the Texas-Mexico border.
United States-Mexico Border Stations, by David Dilts. Family Search Wiki.
A more specific term for this accordion-based music on the Texas side of the border is conjunto.
Hohner Corona II, signed by Flaco Jiménez. National Museum of American History.
Música norteña, or music of the north, is an accordion-based genre that originated in northern Mexico.
What instruments do you hear besides the accordion?
Los Pingüinos Del Norte 1970 (tololoche). Photo by Chris Strachwitz, Arhoolie Records.
This recording includes:
Left: Rumel Fuentes. Right: Los Pingüinos del Norte. Photos by Chris Strachwitz. Arhoolie Records.
Los Pingüinos del Norte was a música norteña ensemble from northern Mexico.
Rumel Fuentes was an important Mexican American singer/songwriter during the time of the Chicano movement (1960s–1970s).
This version of the song "Chicano" was recorded by Rumel Fuentes, with Los Pingüinos del Norte in 1976.
Chulas fronteras, by Les Blank and Chris Strachwitz. Les Blank Films.
What do you notice about the language?
This song uses both English and Spanish; these languages are combined into a form known as "Spanglish".
Discussion:
Why do you think some people in Mexican American communities have identified (and continue to identify) as Chicano/a?
We get a say in what descriptors define us and our identifications might change over time !
"Chicano/a" is a term some people use to describe an aspect of their cultural identity - and cultural identity is informed by personal choices. In other words:
20+ minutes
Poster with "Chicano Power" and "Viva la Raza" over a Mexican Flag, Platt Poster Company. National Museum of African American History and Culture.
It is also known as the Mexican American civil rights movement or El Movimiento.
Chicanos in California, unknown artist. Smithsonian American Art Museum.
An important social movement in United States history, it can be understood as a collective response to issues of discrimination, oppression, and other injustices members of Mexican American communities were facing.
Southern Christian Leadership Conference Poor People's Campaign poster, Justice Is Our Need... unknown artist. National Museum of American History.
During this time, people decided it was necessary to take action steps to fight for justice and equal rights.
Listen to “Yo soy tu hermano, yo soy Chicano” (I Am your Brother; I Am Chicano) by Conjunto Aztlan.
Follow along with the lyrics/translation and circle or underline words that provide clues about why these musicians (and many other people) felt like collective social action was necessary during this time.
Discuss
Conjunto Aztlan, photo courtesy of Juan Tejeda. Smithsonian Folkways Recordings.
“They steal lands [colonialism], they steal jobs [unemployment]; hunger and poverty [financial inequity]; they killed my brother over there in Vietnam [fallen Mexican American soldiers]; cops and rangers are disgraceful [police brutality] . . ."
Vietnam/Aztlan, by Malaquías Montoya. Smithsonian American Art Museum.
In subsequent lessons you will learn more about specific goals of the Chicano movement. Three of these were: Rights for farm workers, restoration of land, and education reform.
Find and print historical photos from the 1960s–1970s that illustrate these goals.
Use the collected photos to create a class collage.
Alternatively, students can write a statement or skit based on characters developed from the images.
Above: Braceros Picking Lettuce, photo by Leonard Nadel. National Museum of American History.
Left: Resurrection City: Untitled, photo by Jill Freedman. National Museum of African American History and Culture.
Right: Ayuda para Colegio Cesar Chavez, by user Movimiento. Wikimedia Commons (CC-BY-SA-3.0).
What was the primary goal of the Chicano movement?
During the time of the Chicano movement, why did people feel like collective social action was needed?
30+ minutes
Protestors Singing on the Picket Line, photograph by Hub Segur. Smithsonian Folkways Recordings.
The song we will focus on in this part of the lesson, “Yo soy Chicano,” was composed by a group called Los Alvarados as they travelled by bus to the 1968 Poor People’s Campaign, organized in Washington, DC.
This song became an anthem for Chicano movement activists.
Pinback Button, Poor People's Campaign, unknown artist. National Museum of American History.
Merriam-Webster defines anthem as:
“A rousing popular song that typifies or is identified with a particular subculture, movement, or point of view.”
Anthems:
• re-affirm ethnic or cultural pride
• serve as a symbol for a particular cultural group
• uplift and celebrate
Which aspects of Chicano/a culture are celebrated in this song?
Listen to the song “Yo soy Chicano,” by Los Alvarados
Circle or underline lyrics that relate to this guiding question:
Chicano Pride Logo, designed by Custom Creations.
Valor paño, unknown artist. National Museum of American History.
These anthems united people who were working toward a common goal.
During the Chicano movement, certain songs, like “Yo soy Chicano,” became powerful symbols for people who identified as Chicano/a.
Everyone has multiple facets of cultural identity that can be based on things like:
Race
Ethnicity
Geography
Language
Religion
Nationality
Gender
Profession
Neighborhood
Beliefs
Values
Age/Generation
Interests
Hobbies
Sports
Etc…
Even members of Chicano communities continue to discuss and debate how to name and express their cultural identity.
Written language can express this debate. For example ...
Members of the band Quetzal use the spelling Chican@ to acknowledge that culture is made by both men and women.
Quetzal, by Brian Cross. Smithsonian Folkways Recordings.
Instructions: Place your name in the center and use the outside bubbles to name aspects that are important to defining who you are.
(Used with permission from Learning for Justice)
Complete the “My Multicultural Self” worksheet.
Choose one of your identity bubbles to focus on…
Can you think of a song (anthem) that reflects this part of your cultural identity?
Complete the “Exploring Cultural Identity through Music” worksheet
Instructions:
Audio courtesy of:
Smithsonian Folkways Recordings
Video courtesy of:
Les Blank Films and Argot Productions
Images courtesy of:
Archives of American Art
The Arhoolie Foundation
Custom Creations
David Dilts
National Museum of African American History and Culture
National Museum of American History
National Portrait Gallery
Smithsonian American Art Museum
Smithsonian Folkways Recordings
TM/© 2021 the Cesar Chavez Foundation. www.chavezfoundation.org
© 2021 Smithsonian Institution. Personal, educational, and non-commercial uses allowed; commercial rights reserved. See Smithsonian terms of use for more information
This Lesson was funded in part by the Smithsonian Youth Access Grants Program with support from the Society for Ethnomusicology and the National Association for Music Education.
For full bibliography and media credits, see Lesson 1 landing page.