The overarching essential question for Lesson 1 is:
What is Chicano/a identity and how is it expressed through music?
Yo soy Chicano, by Malaquías Montoya. Smithsonian American Art Museum.
25 minutes
Chicano Pride Logo, designed by Custom Creations.
It’s complicated . . .
This term gained popularity in the late 1960s.
It is associated with the Chicano movement.
The term generally describes people with Mexican heritage living in the United States.
However, this term’s true meaning is complex and deeply personal.
The term Chicano/a relates to the formation of both individual and group identities.
Importantly, it expresses feelings of pride about this element of cultural heritage.
Brown and Proud, by David Silva. Smithsonian American Art Museum.
Do these lyrics reveal anything about the meaning of this term for people who identified as Chicano during this time?
To this songwriter, the term "Chicano" meant:
Do you associate these musical sounds with a particular geographic region? Why or why not?
This type of music is most commonly heard along the Texas-Mexico border.
United States-Mexico Border Stations, by David Dilts. Family Search Wiki.
Música norteña, or music of the north, is an accordion-based genre that originated in northern Mexico.
A more specific term for this accordion-based music on the Texas side of the border is conjunto.
Hohner Corona II, signed by Flaco Jiménez. National Museum of American History.
What instruments do you hear besides the accordion?
This recording includes:
Los Pingüinos Del Norte 1970 (tololoche), photo by Chris Strachwitz. Arhoolie Records.
This version of the song "Chicano" was recorded by Rumel Fuentes, with Los Pingüinos del Norte in 1976.
Rumel Fuentes was an important Mexican American singer/songwriter during the time of the Chicano movement (1960s–1970s).
Los Pingüinos del Norte was a música norteña ensemble from northern Mexico.
Left: Rumel Fuentes. Right: Los Pingüinos del Norte. Photos by Chris Strachwitz. Arhoolie Records.
Chulas fronteras, by Les Blank and Chris Strachwitz. Les Blank Films.
Discussion:
Why do you think some people in Mexican American communities continue to identify as Chicano/a?
15+ minutes
Poster with "Chicano Power" and "Viva la Raza" over a Mexican Flag, Platt Poster Company. National Museum of African American History and Culture.
During this time, people decided it was necessary to take action steps to fight for justice and equal rights.
Chicanos in California, unknown artist. Smithsonian American Art Museum.
Southern Christian Leadership Conference Poor People's Campaign poster, Justice Is Our Need... unknown artist. National Museum of American History.
Listen to “Yo soy tu hermano, yo soy Chicano” (I Am your Brother; I Am Chicano) by Conjunto Aztlan.
Follow along with the lyrics/translation and circle or underline words that provide clues about why these musicians (and many other people) felt like collective social action was necessary during this time.
Discuss
Conjunto Aztlan, photo courtesy of Juan Tejeda. Smithsonian Folkways Recordings.
“They steal lands [colonialism], they steal jobs [unemployment]; hunger and poverty [financial inequity]; they killed my brother over there in Vietnam [fallen Mexican American soldiers]; cops and rangers are disgraceful [police brutality] . . ."
Vietnam/Aztlan, by Malaquías Montoya. Smithsonian American Art Museum.
In subsequent lessons you will learn more about specific goals of the Chicano movement. Three of these were: Rights for farm workers, restoration of land, and education reform.
Find and print historical photos from the 1960s–1970s that illustrate these goals.
Use the collected photos to create a class collage.
Alternatively, students can write a statement or skit based on characters developed from the images.
Above: Braceros Picking Lettuce, photo by Leonard Nadel. National Museum of American History.
Left: Resurrection City: Untitled, photo by Jill Freedman. National Museum of African American History and Culture.
Right: Ayuda para Colegio Cesar Chavez, by user Movimiento. (CC-BY-SA-3.0) via Wikimedia Commons.
What was the primary goal of the Chicano movement?
During the time of the Chicano movement, why did people feel like collective social action was needed?
30+ minutes
Protestors Singing on the Picket Line, photograph by Hub Segur. Smithsonian Folkways Recordings.
The song we will focus on in this part of the lesson, “Yo soy Chicano,” was composed by a group called Los Alvarados as they travelled by bus to the 1968 Poor People’s Campaign, organized in Washington, DC.
This song became an anthem for Chicano movement activists.
Pinback Button, Poor People's Campaign, unknown artist. National Museum of American History.
Merriam-Webster defines anthem as:
“A rousing popular song that typifies or is identified with a particular subculture, movement, or point of view.”
Anthems:
• re-affirm ethnic or cultural pride
• serve as a symbol for a particular cultural group
• uplift and celebrate
Listen to the song “Yo soy Chicano,” by Los Alvarados
Circle or underline lyrics that relate to this guiding question:
Which aspects of Chicano/a culture are celebrated in this song?
Chicano Pride Logo, designed by Custom Creations.
Valor paño, unknown artist. National Museum of American History.
During the Chicano movement, certain songs, like “Yo soy Chicano,” became powerful symbols for people who identified as Chicano/a.
These anthems united people who were working toward a common goal.
Everyone has multiple facets of cultural identity that can be based on things like:
Hobbies
Ethnicity
Geography
Language
Religion
Nationality
Gender
Profession
Neighborhood
Beliefs
Values
Age/Generation
Race
Interests
Sports
Etc…
Even members of Chicano communities continue to discuss and debate how to name and express their cultural identity.
Written language can express this debate. For example ...
Members of the band Quetzal use the spelling Chican@ to acknowledge that culture is made by both men and women.
Quetzal, by Brian Cross. Smithsonian Folkways Recordings.
Complete the “My Multicultural Self” worksheet.
Instructions: Place your name in the center and use the outside bubbles to name aspects that are important to defining who you are.
(Used with permission from Learning for Justice)
Choose one of your identity bubbles to focus on…
Can you think of a song (anthem) that reflects this part of your cultural identity?
Complete the “Exploring Cultural Identity through Music” worksheet
Instructions:
Audio courtesy of:
Smithsonian Folkways Recordings
Video courtesy of:
Les Blank Films and Argot Productions
Images courtesy of:
Archives of American Art
The Arhoolie Foundation
Custom Creations
David Dilts
National Museum of African American History and Culture
National Museum of American History
National Portrait Gallery
Smithsonian American Art Museum
Smithsonian Folkways Recordings
TM/© 2021 the Cesar Chavez Foundation. www.chavezfoundation.org
© 2021 Smithsonian Institution. Personal, educational, and non-commercial uses allowed; commercial rights reserved. See Smithsonian terms of use for more information
This Lesson was funded in part by the Smithsonian Youth Access Grants Program with support from the Society for Ethnomusicology and the National Association for Music Education.
For full bibliography and media credits, see Lesson 1 landing page.