by Richard Wilbur
In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.
I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.
Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.
But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which
The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.
I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash
And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark
And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,
And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,
It lifted off from a chair-back,
Beating a smooth course for the right window
And clearing the sill of the world.
It is always a matter, my darling,
Of life or death, as I had forgotten. I wish
What I wished you before, but harder.
March 1, 1921 - ?
Continuing the tradition of Robert Frost and W. H. Auden, Wilbur's poetry finds illumination in everyday experiences.
There is none!
There is none!
Kind of.
And then I like the new poem to my daughter, the one called “The Writer.” But I enjoyed that also as a formal departure; I enjoyed not rhyming for a change.
~ Richard Wilbur
Short, long, short lines make a rhythm of waves and typewritters
"People sometimes imagine that a rush of love for one's daughter might produce a poem. It's not that at all—it's that two ideas, two images come together, and then you've got something to work with."
"…I don't think a poem is a message. It's a kind of performance; it's a kind of machine of feeling that other people can use."