Joseph Primiani
Alex Minassian
Lisa Maldonado
Angela Maher
Les demoiselles d'Avignon (1907)
Pablo Picasso
Violin and Pallete (1909)
Georges Braque
Still Life with Open Window (1915)
Juan Gris
Cubism's use of fragments assisted in furthering the many different typographical movements during the 20th Century
Design creates a tension that challenges viewers to interpret the subject matter
Type integrated into the artwork
Newspapers, Advertising and Packaging were treated as a part of contemporary urban life
The Charge of the Lancers (1915)
Cyclist (1916)
Abstract Speed + Sound (1914)
Encounters Cubism, matches its style with dynamism and violent societal upheaval
Umberto Boccioni
David Burliuk
Giacomo Balla
Manifesto of Futurism (1909)
Filippo Marinetti
Collection of proposals and views that expressed a rejection of the past while embracing modernization
Filippo Marinetti abandoned traditional grammar, punctuation and format to create vivid pictorial typographic pages
Nouns
"I call for a typographic revolution directed against the idiotic and nauseating concepts of the outdated and conventional book..."
Hierarchy determined through size, weight and placement
Verbs
Adjectives
Monument to the Third International, Tatlin (1919-1920)
Spatial Construction 12, Rodchenko (1920)
Beat The Whites With The Red Wedge (1919)
Ad for Lengiz Publishing House
Dance, An Objectless Composition (1915)
Airplane Flying (1915)
Construction (1921)
Stavba a basen (1927)
Cut with the Kitchen Knife (1919) - Hannah Hoch
L.H.O.O.Q. (1919) - Marcel Duchamp
Poster for Salon Dada (1921) - Tristan Tzara
vertical type, etc.
Slanted type,
Every page should explode, either because of its staggering absurdity, the enthusiasm of its principles, or its typography.
- Tristan Tzara
“
Fountain (1917) - Marcel Duchamp
Cover of the Exhibition of the First Dada Fair (1920) - John Heartfield and others
German painter, sculptor & typographer
Released periodical called Merz; very experimental
Samples of Merz Publication - Kurt Schwitter
Page from Vol. 6 of Merz
Page from Vol. 6 of Merz
Cover of Vol. 6 of Merz
German graphic designer and artist
Designed book jackets, typography and layouts
Produced political photomontages
Mimikry (1935)
Inside Jedermann sein eigner Fussball (Everyone His Own Soccerball)
Cover of the newspaper Jedermann sein eigner Fussball (Everyone His Own Soccerball)
5 Finger Has a Hand (1928)
African Sonata - Vladimir Kush
The Persistence of Memory (1931) - Salvador Dali
Alphabet by Jindřich Heisler & Arrangement by Pierre Faucheux for Les manifestes du surréalisme
Woodcut Replica of Heisler's Alphabet
Woodcut Replica of Heisler's Letter A
French graphic designer, typographer & architect
Tried to express ideas with his open use typography
Known for designing book covers
Cover of Elevator to the Gallows
Cover of Impressions of Africa
Cover of Jacques the Fatalist and his Master
Cover of Poetry
Back of Poetry
Austrian Graphic Designer and Typographer
Works in NY at his own design firm
Known for designing album covers
Everything I Do Always Comes Back to Me (2008)
Sagmeister's Design Firm's Campaign for Aizone Fall/Winter 2013
CD Cover for Pat Methany, Imaginary Day (1997)
Experimental in nature
A label given to artists and work that challenges traditional and current art movements by exploring new forms
Art should be judged primarily on the quality and originality of the artist's vision and ideas
Guillaume Apollinaire
French poet and art critic
Became famous for his experimental visual appearance of poetry using unconventional layouts and typography
Lines of poems were arranged in the shape of the object it described
Hugo Ball
Born in German 1886
Pioneer in development of sound poetry
In 1916, influenced the Dada movement with the Dada Manifesto
Hugo Ball reading his poem, "Karawane"
Poem consists on nonsensical words
Meaning resides in its meaninglessness
Pushes boundaries
Hugo Ball
Typography