Jonathan Morgan
Adjunct Professor of Art at Lone Star College & South Dakota State University, PhD candidate at IDSVA
Paper is the foundation of most drawings and it comes in a variety types
Paper thickness is also important to consider
Gesture Drawing
Hatching is a foundational drawing technique
Silverpoint is a very old technique that makes durable & detailed drawings
Pencils were once made with lead, but graphite is most common today
Example of a graphite sketch
Example of a detailed graphite drawing
Introducing color to a pencil drawing can have a dramatic effect
Charcoal is arguably the oldest drawing media and has a unique look
Example of a charcoal sketch
Example of a finished charcoal drawing
Example of a chalk and charcoal drawing
Sanguine looks like red chalk/charcoal, but is in fact a rock used by painters to sketch
Pastels are traditionally oil-based drawing media
Example of a finished pastel drawing
Pen and ink drawings have a very illustrative effect
Example of a pen and ink line drawing
Example of a pen and ink drawing
Ink can be used to make paintings, as well as drawings
There is a long tradition of ink painting in East Asia
Example of a Southern School Song Dynasty Painting
A Northern School Song Painting
Fujiwara no Takanobu
Minamoto no Yoritomo
1179 CE
Hanging Silk Scroll
Many bold effects are possible within ink paintings
Much like pencil drawings, adding color has a huge effect with ink painting
Watercolor paintings behave like ink paintings but use different materials
Tempera paint is another water-based painting medium
Entry into Jerusalem, Duccio, 1308-1311 CE
Tempera was most often used in the European Medieval era for paper-based works like book illustrations
Fresco is another old art media from the Mediterranean area that was especially popular in Ancient Rome and the Renaissance
Sibila Libica, Michelangelo, 1512 CE
School of Athens, Raphael, 1509-1511 CE
Demonstration of the fresco painting process
The Tribute Money, Masaccio, 1425 CE
The Tribute Money, Masaccio, 1425 CE
(fresco)
Merode Altarpiece, Robert Campin, 1428 CE
(oil paint)
The advantages of oil paint
Note the extreme detail possible when using oil paints
Last Supper, Leonardo, 1495-1498 CE
Choosing the wrong media/technique can have dire consequences...
Street Artists have pioneered the use of spray paint to create their works
Group of Animals (off Rivington Street, London), Roa, c. 2010 CE
Stencils also feature heavily in spray painted works
Some artists still choose traditional paint brushes regardless of location
Linoleum is also used to make 'linocut' prints due to its high carvability
Linocut Tools
Linocut pieces tend to be bold and simple in design
Woodcut or woodblock prints may be the oldest printmaking method
As the drawing to the left shows, the method is similar to rubber stamps and linocut.
Tugboat Printshop
Golden Apple Tree
2015 CE
Tugboat Printshop
Overlook
2016 CE
Full-color woodblock prints are possible by printing in 4 basic colors
Each color is printed with a specially designed block
The colors build up and mix to create the full color spectrum
Just the primary 'process' colors aren't enough for a truly rich image
Black is added to the cyan, magenta, and yellow layers to complete it
Full-color woodblock prints are the most difficult kind of woodcut
Katsushika Hokusai
Great Wave Off Kanagawa
1831 CE | Ukiyo-e Woodblock Print
Ukiyo-e Printing Block
A Selection of Woodcut Printed Fabrics (Chintz) from India
Indian Woodcut Printing Blocks
Chintz Panel from the 18th Century
Intaglio pieces are made with engraved metal plates
The intaglio process is almost the inverse of the woodcut process
Silkscreen printing is an old wallpaper making technique
It makes full-colored images similar to CMYK woodcut prints
Andy Warhol popularized the silkscreen process in the 1960s
Silkscreen prints are the most reproducible of all printmaking media
Kouros
c. 600 BCE
Archaic
Doryphoros
Polykleitos
c. 450-440 BCE
Classical
Apoxyomenos
Lysippos
c. 330 BCE
Late Classical
Kritios Boy
c. 480 BCE
Classical
Great Pyramid of La Venta, Tabasco, Mexico
Olmec, 1st cent. BCE
Diagram of the La Venta Pyramid Complex
Distant view of the Great Pyramid
Tikal Temple I, Guatemala
Maya, 8th cent. CE
El Castillo, Yucatan, Mexico
Maya, 8th-12th cent. CE
The Great Sphinx & Pyramid, Giza, Egypt
Egyptian, c. 2558–2532 BCE
Development of the Pyramid
Karnak Temple Complex (detail), Luxor, Egypt
Egyptian, c. 1900-1200 BCE
Parthenon, Athens, Greece
Classical, 432 BCE
Stonehenge, Wiltshire, England
Neolithic, c. 2500 BCE
The Treasury of Atreus or Tomb of Agamemnon, Mycenae, Greece
Mycenean, c. 1350-1250 BCE
Corbeled Arch
Quwwatul-Islam Mosque, Dehli, India
Islamic, c. 12th-13th cent. CE
Roman Aqueduct, Vers-Pont-du-Gard, France
Roman, 60 CE
Roman Arch
Extending the Roman Arch yields a Vaulted Ceiling with the same advantages
Bascilica of St. Sernin (interior), Toulouse, France
French, 1180 CE
Saint-Lazare/Autun Cathedral, Autun, France
French, 1146 CE
Reims Cathedral, Reims, France
French Gothic, 1275 CE
Vaulted ceiling vs Ribbed Vaulting
Interior of Cologne Cathedral
Pantheon, Rome, Italy
Roman, 125 CE
Hagia Sophia, Istanbul, Turley
Byzantine, 537 CE
The pendentive structures (green) of Hagia Sophia's Domes
Dome of the Rock (Qubbat aṣ-Ṣakhra), West Bank, Israel/Palestine
Early Islamic, Late 7th cent. CE
Ninomaru Palace (Nijo Castle), Kyoto, Japan
Japanese, 1679 CE
Horyu-ji, Nara, Japan
Japanese, 607 CE
Horyu-ji Chumon (inner gate)
Horyu-ji Pagoda
Example of contemporary wooden architecture
Marc Quinn
Self
1991, 2006, & 2011 (pictured below)
Marcel Duchamp
Bicycle Wheel
1913
Marcel Duchamp
Fountain
1917
Fountain (replica)
1964 | Glazed earthenware
Joseph Kossuth
One and Three Chairs
1965
Joseph Kossuth
One and Three Rakes
1965
Barbara Kruger
Untitled
(I shop therefore I am)
1987
Barbara Kruger
Untitled
Date unknown
Barbara Kruger
Untitled
1987
Damien Hirst
The Physical Impossibility of Death in the Mind of Someone Living
2012 | Steel, glass, formaldehyde, shark
Damien Hirst
Invasion
2009
Damien Hirst
Stubbed Out Love
1993
Damien Hirst
For the Love of God
2006
Martin Creed
Work no. 88 : a sheet of A4 paper crumpled into a ball
1994
Martin Creed
Work No.285 THINGS
2002
Martin Creed
Work No. 944
2008
Ai Weiwei
Sunflower Seeds
2010
Ai Weiwei
Sunflower Seeds
2010
Ai Weiwei
Sunflower Seeds
2010
Ai Weiwei
Dropping a Han Dynasty Urn
1995
By Jonathan Morgan
Art Appreciation, Lone Star College, Prof. Morgan
Adjunct Professor of Art at Lone Star College & South Dakota State University, PhD candidate at IDSVA