Jonathan Morgan
Adjunct Professor of Art at Lone Star College & South Dakota State University, PhD candidate at IDSVA
Note: Chapters 1 & 2 (up to 2:18 in the video) apply to this section
Purse Cover from the Sutton Hoo Burial Ship
c. 625 CE
Anglo-Saxon
St. Matthew from the
Lindisfarne Gospels
c. 698-721 CE
Anglo-Saxon, Northumbrian
St. Matthew from the
Coronation Gospels
c. 800-810 CE
Frankish, Carolingian
Compare & contrast the two paintings from class:
St. Matthew from the Lindisfarne Gospels & from the Coronation Gospels.
St. Michael's
Hildesheim, Germany
1001-1031 CE, Ottonian
Saint-Sernin
Toulouse, France
1070-1120 CE, Romanesque
Christ in Majesty
Saint-Sernin, Toulouse, France
c. 1096 CE, Romanesque
Last Judgement
Saint-Lazare, Autun, France
c. 1120-1135 CE, Romanesque
Sant'Ambrogio
Milan, Italy
late 11th to early 12th century CE, Romanesque
Marvel not at the gold and at the expense but at the craftsmanship of the work. Bright is the noble work; but being nobly bright, the work should brighten the minds, so that they may travel, through the true lights, to the True Light where Christ is the true door
-Abbot Suger, Liber de rebus in administratione sua gestis
Chartres Cathedral (West)
Chartres, France
1145-1155 CE
Capetian
Royal Portal
Chartres Cathedral, Chartres, France
c. 1145-1155 CE, Gothic
Cologne Cathedral
Cologne, Germany
13th-14th century CE, Gothic
By Jonathan Morgan
ARTS 1303 6W (Medieval-Gothic), Lone Star College, Prof. Morgan
Adjunct Professor of Art at Lone Star College & South Dakota State University, PhD candidate at IDSVA