Adam Blosse
MD - Lecturer - Music Systems
The Vaudeville, Music Hall & Cabaret
"Razzle Dazzle"
B&PC MT Performance Contexts Module - Lecturer: Adam Blosse
Week 3
The Vaudeville, Music Hall & Cabaret
How best to take notes?
Follow up on small questions, the big questions appear later.
If you find something you like, chase it with everything you have!
We will be absorbing media during this lecture and trying to process it in the most efficient way possible. We are trying to highlight how our knowledge interacts with media.
The Vaudeville, Music Hall & Cabaret
1880s-1930s
Vaudeville: Initially a farce with music.
Vaudeville was born within music halls and saloons, and the lyceum circuit, which prospered in the U.S. from the 1830s- 1870s.
Vaudeville had its mix of acts, while the lyceum offered vaudeville a vision of the road, as well as the idea that Americans liked seeing various types of entertainment.
Note take: Kenrick on Vaudeville
Note take: A potted history of Vaudeville in three minutes.
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
We will watch three examples of the Vaudeville style within the musical theatre canon.
‘Keep it Under Your Hat’ (Calamity Jane 1961)
‘Baby June and Her Newsboys’ (Gypsy 1959)
‘Fit as a Fiddle’ (Singin’ in the Rain 1952)
Note key components of each of the routines, ask yourself the question: what is vaudeville? How does it apply to our current context? (i.e. is it still relevant?) Why is this style still being used in these newer decades? Is there any commentary?
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
Music Hall: 1850s - 1920s
The core and most distinctive part of English music hall is song.
An instantly recognizable kind of tune evolved in music hall,
often written in a cheeky, working class voice — sometimes
broadly comical, sometimes sentimental and sad, and
occasionally a little risque.
Often booklets were passed out so that the audience could sing along. The proceedings were led by a so-called “Chairman”, the rough equivalent of our emcee. Music hall comedy, too, was of a certain type, stylistically allied with the song. Variety acts of the sort we associate with vaudeville rounded out the bill. Because of the shared language and the convenience of new-fangled steamship travel, it was common for British and American acts to play in each other’s countries. Many American acts were big in Britain; and many Brits popular in the states.
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
Victorian England was an age of stuffy complacency, remembered for its crinolines and hansom-cabs, satanic mills and streets with gas lamps and knocker uppers and for the birth of a peculiarly English institution - the music hall - often referred to as the good old days.
Music Hall & Variety Theatre: Article
Note Take: As I read through the article,
write down ideas and scenes you find interesting.
The Vaudeville, Music Hall & Cabaret
We will watch two examples of the Music Hall style within the musical theatre canon.
‘A Cover Is Not A Book’ (Mary Poppins Returns 2018)
‘I'll Make A Man Of You’ (O' What A Lovely War 1914)
Note take: Key components of each of the routines, ask yourself the question: what is vaudeville? How does it apply to our current context? (i.e. is it still relevant?) Why is this style still being used in these newer decades? Is there any commentary?
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
Cabaret, 19th-20th Century:
A frivolous form of entertainment involving various musical, dance, and theatre acts being performed to an audience whilst they drink and dine – is a significant aspect of Parisian culture, which has helped to define the city’s very character. The cabaret clubs in the French capital – the Crazy Horse and Moulin Rouge, for example – are nothing short of legendary and have inspired various international artists, film-makers, and writers over the years.
History Of Cabaret: Article LINK
Note Take: As I read through the article, write down ideas and
scenes you find interesting.
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
The Vaudeville, Music Hall & Cabaret
Listen to new music / new ideas / resource the reading list.
I suggest listening to a Songs For A New World by Jason Robert Brown to prep for next week's session.
Questions:
adamblosse@me.com
fb.com/adamblosse
By Adam Blosse
B&PC MT Performance Contexts Module - Week 3