Brian
MCTC Sound Arts
"CD Quality"
"Studio Grade"
"Audiophile Quality"
"Professional Grade"
Since we care about how it sounds, better go back to the Acoustic World...
What are the most basic components of a sound, again?
WORD LENGTH | DYNAMIC RANGE | AMPLITUDE VALUES |
---|---|---|
2 Bits | 12 dB (6dB/bit x 2 bits) |
4 |
8 Bits | 48 dB | 256 |
16 Bits–CD | 96 dB | 65,536 |
24 Bits | 144 dB | 16,777,216 |
(\( 2 ^2 \))
(\( 2 ^8 \))
(\( 2 ^{16} \))
(\( 2 ^{24} \))
1 Bit (2 values)
2 Bit (4 values)
8 Bit (256 values)
It is difficult to appreciate the accuracy achieved by a 16-bit measurement. An analogy might help: If sheets of typing paper were stacked to a height of 22 feet, a single sheet of paper would represent one quantization level in a 16-bit system.
Longer word lengths are even more impressive. In a 20-bit system, the stack would reach 352 feet. In a 24-bit system, the stack would tower 5632 feet in height-- Over a mile high. The quantizer could measure that mile to an accuracy equaling the thickness of one piece of paper. If a single page were removed, the least significant bit would change from 1 to 0.
Looked at in another way, if the distance between New York and Los Angeles were measured with 24-bit accuracy, the measurement would be accurate to within 9 inches. A high-quality digital audio system thus requires components with similar tolerances-not a trivial feat.
–from Fundamentals of Digital Audio by John Watkinson
By Brian