Hearing the Americas

Music History and the Digital Humanities

Johns Hopkins Digital Humanities Workshop

 

 

 

 

 

 

Jessica Dauterive

PhD Candidate, George Mason University

Affiliate, Roy Rosenzweig Center for History and New Media

Digital Content Specialist, New Orleans Jazz Museum

  • How can we make early, digitized
    sound archives more listenable?
     
  • How can we present complex and/or difficult histories of race, gender, and nation with sound?
     
  • How can we use digital tools to write better music history?

ARGUMENT-DRIVEN

A digital public history project that argues for the transnational and multiracial roots of early American popular music (1890-1925).

"The Laughing Song," George W Johnson, 1890s.

PROJECT TEAM

Co-Director (PI): Dr. Matthew Karush
Co-Director (PI): Dr. Michael O'Malley

Project Director: Sheila Brenna (2016-2019)

Project Design: Kim Nguyen (2017-2021)

Digital Team Lead: Megan Brett

Project Associates:
          Jessica Dauterive (2017, 2019, 2020-2021)
          Laura Brannan (2020)
          Jayme Kurland (2021)

Advisors:
          Dr. Robin D. Moore
          Dr. Lauren Sklaroff
          Dr. Susan Smulyan
          Dr. John Suisman
          Dr. John Troutman

 

PROJECT TIMELINE

???-2016 : Pre-planning (thinking, talking, incubating)

 

2017: NEH Digital Projects for the Public: Discovery Grant 

          Preliminary research

          Audience outreach and user personas

          Wireframes, moodboards, and paper prototypes

          Develop prototype and design document 

 

2018-2019:  Drafting NEH Production Grant (twice)

 

2020-2022: NEH Digital Projects for the Public: Production Grant

 

PRELIMINARY RESEARCH

AUDIENCE OUTREACH

USER PERSONAS

WIREFRAMES + MOODBOARDS

USER PATHWAYS

PAPER PROTOTYPES

DESIGN DOCUMENT / PROTOTYPE

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