Hearing the Americas
Music History and the Digital Humanities
Johns Hopkins Digital Humanities Workshop
Jessica Dauterive
PhD Candidate, George Mason University
Affiliate, Roy Rosenzweig Center for History and New Media
Digital Content Specialist, New Orleans Jazz Museum
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How can we make early, digitized
sound archives more listenable?
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How can we present complex and/or difficult histories of race, gender, and nation with sound?
- How can we use digital tools to write better music history?
ARGUMENT-DRIVEN
A digital public history project that argues for the transnational and multiracial roots of early American popular music (1890-1925).
"The Laughing Song," George W Johnson, 1890s.
PROJECT TEAM
Co-Director (PI): Dr. Matthew Karush
Co-Director (PI): Dr. Michael O'Malley
Project Director: Sheila Brenna (2016-2019)
Project Design: Kim Nguyen (2017-2021)
Digital Team Lead: Megan Brett
Project Associates:
Jessica Dauterive (2017, 2019, 2020-2021)
Laura Brannan (2020)
Jayme Kurland (2021)
Advisors:
Dr. Robin D. Moore
Dr. Lauren Sklaroff
Dr. Susan Smulyan
Dr. John Suisman
Dr. John Troutman
PROJECT TIMELINE
???-2016 : Pre-planning (thinking, talking, incubating)
2017: NEH Digital Projects for the Public: Discovery Grant
Preliminary research
Audience outreach and user personas
Wireframes, moodboards, and paper prototypes
Develop prototype and design document
2018-2019: Drafting NEH Production Grant (twice)
2020-2022: NEH Digital Projects for the Public: Production Grant
PRELIMINARY RESEARCH
AUDIENCE OUTREACH
USER PERSONAS
WIREFRAMES + MOODBOARDS
USER PATHWAYS
PAPER PROTOTYPES
DESIGN DOCUMENT / PROTOTYPE
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By jdauteri
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