LITERARY ANALYSIS
ANA = UP/APART
LYSIS = BREAKING
SO, WE'RE BREAKING APART LITERATURE
OR, BEING ANAL ABOUT LITERATURE
SO, WHY DO WE STUDY LITERARY ANALYSIS?
BECAUSE THE SKILLS ARE TRANSFERRABLE
CONSIDER A BICYCLE
1. Your knees and thighs go up and down
2. Your ankles flex and extend, which changes the direction of your lower legs
3. The pedals rotate as your legs simultaneously move up, down, forward and backward
4. The pedals are connected to a rotating main gear
5. The main gear has a chain around it, which transfers...
6. ...energy to the drive gear at the rear of the bike
7. The drive gear is connected via axle to the rear wheel, which turns
8. Each rotation of the rear wheel moves the whole bike forward one wheel circumference
Of course it is a little more complex than that with most bikes
BUT
that's the basic sequence
SINCE ANALYSIS SKILLS ARE TRANSFERRABLE
CONSIDER A CAR
1. Pistons go up and down
2. Connecting rods from the piston attach to a camshaft
3. The direction of motion changes from vertical to circular
4. In your transmission, the rotation goes through gears...
5. Instead of a chain, there's a driveshaft that moves the energy...
6. the direction of which is changed by the differential
6. the differential is connected to the axle, which is connected to the wheels
8. Each rotation of the wheels moves the whole car forward one wheel circumference
Of course it is a whole lot more complex than that
BUT
that's the basic sequence
LITERARY ELEMENTS
UNLIKE CARS OR BIKES, LITERATURE DOESN'T HAVE MOVING PARTS
BUT IT DOES HAVE ELEMENTS WE CAN STUDY
SETTING
PLOT
CHARACTERS
STYLE
GENRE
TONE
POINT
OF
VIEW
SYMBOLS
THEMES
SETTING
-
WHERE DOES THE STORY TAKE PLACE?
-
WHEN DOES THE STORY TAKE PLACE?
-
WOULD SETTING THE STORY IN A DIFFERENT TIME OR PLACE CHANGE THE MESSAGE OF THE STORY A LOT?
PLOT
-
WHAT HAPPENS IN THE STORY?
CHARACTERS
-
WHO IS THE PROTAGONIST (MAIN CHARACTER)?
-
WHO ARE THE MAIN CHARACTER'S ALLIES?
-
WHO IS THE ANTAGONIST (PERSON WORKING AGAINST THE MAIN CHARACTER)?
STYLE
-
HOW IS THE STORY WRITTEN?
-
IS IT A MOVIE, A SHORT STORY, A NOVEL, ETC?
-
WHAT KIND OF LANGUAGE IS USED? (ARCHAIC, MODERN, PROFANE, CLEAN, ACCENTS, DIALOGUE, PUNCTUATION, ETC)
GENRE
-
KIND OF SELF-EXPLANATORY, ISN'T IT?
- HORROR, SCIENCE FICTION, FANTASY, DRAMA, COMEDY, WESTERN, SAMURAI, POETRY, MUSICAL, PLAY, ROMANCE, MYSTERY, ETC
TONE
-
WHAT IS THE WRITER'S ATTITUDE TOWARDS THE STORY?
-
IS THE STORY COMEDIC, IRONIC, OR EARNEST?
-
IS IT SATIRICAL, POINTED, SLY, FORMAL, COLLOQUIAL, FRIENDLY?
-
ETC
POINT
OF
VIEW
-
WHO IS THE FOCAL POINT OF THE STORY?
-
IS IT COMING FROM INSIDE THE MAIN CHARACTER'S EYES? (FIRST PERSON)
-
IS IT BEING TOLD ABOUT YOU AS THOUGH YOU ARE DOING ALL THE ACTIONS? (SECOND PERSON) - RARE
-
IS IT BEING TOLD TO YOU AND YOU ARE MERELY LISTENING/READING ALONG? (THIRD PERSON) - MOST COMMON
SYMBOLS
-
ALMOST ANYTHING COULD BE A SYMBOL IF THE READER HAS A BIG ENOUGH IMAGINATION - BUT YOU NEED TO PROVE IT
-
THINK COLORS, TYPES OF FLOWERS, TYPES OF ANIMALS, SHAPES OF OBJECTS, ALLUSIONS TO MYTHS AND LEGENDS.
-
IE - BLACK CAT, RED ROSE, GREEN THUMB, THE SERPENT IN THE GARDEN OF EDEN, ETC.
THEMES
-
WE HAVE NOW DISCUSSED FOUR OF THE W'S AND THE H (who, what, when, where, and how).
-
WHY IS THIS STORY BEING WRITTEN?
-
WHAT IS THE GOAL OF THE WRITER?
-
ALL ART, EVEN POP ART CREATED JUST TO MAKE A FEW BUCKS, HAS A THEME, MESSAGE, OR MEANING TO IT, BECAUSE ALL ARTISTS, EVEN THOSE JUST WANTING A QUICK DOLLAR, HAVE SOMETHING THEY WANT OTHERS TO SHARE.
LITERARY ELEMENTS
EXAMPLE 1
THE LION KING
SETTING
-
AFRICA, SPECIFICALLY IN THE AREA NEAR KENYA.
-
THERE IS NO YEAR GIVEN, BUT WE CAN ASSUME CONTEMPORARY AS ANIMALS ARE ONES WE KNOW
PLOT
IT'S HAMLET!
CHARACTERS
SIMBA =
HAMLET
MUFASA =
KING HAMLET
SCAR =
CLAUDIUS
SARABI =
GERTRUDE
NALA =
OPHELIA
TIMON =
GUILDENSTERN
PUMBAA =
ROSENCRANTZ
LION
KING
???
MIRAGE
GIFT
HONORABLE
DIM-WITTED
STYLE
-
IT'S AN ANIMATED MOVIE
-
TOLD IN CONTEMPORARY LANGUAGE
-
INCLUDES BROADWAY STYLE MUSICAL NUMBERS
GENRE
-
KIDS' MOVIE, RIGHT?
LION HITLER (SCAR) MURDERS HIS BROTHER, ATTEMPTS TO MURDER HIS NEPHEW, HIRES FASCIST BROWNCOATS TO OVERTHROW THE GOVERNMENT, RAVAGES THE COUNTRY, AND DOES SO WHILE PREACHING HIS SUPREMACY FROM ATOP A DAIS
Skip ahead in this video to 4:24
TONE
COMEDIC
EARNEST
POINT
OF
VIEW
-
SIMBA IS THE FOCAL POINT, BUT WE AREN'T IN HIS HEAD LOOKING THROUGH HIS EYES
SO
- THIRD PERSON POINT OF VIEW, AND WE DON'T JUST STAY WITH SIMBA ALONE, SO IT'S THIRD PERSON OMNISCIENT (WE KNOW WHAT OTHER PEOPLE ARE DOING AND SAYING EVEN WHEN SIMBA IS NOT ON SCREEN)
SYMBOLS
-
WELL, WE ALREADY DISCUSSED NAMES OF CHARACTERS AND WHAT THEY MEAN
-
ALSO, HAKUNA MATATA
-
ELEPHANT GRAVEYARD
-
"LAUGHING" HYENAS
-
RAFIKI'S "MAKEUP" (CLOWNLIKE)
-
MUFASA'S GHOST/REFLECTION/CLOUD
-
PRIDELANDS => DESERT => OASIS
-
WHAT ELSE CAN YOU THINK OF?
THEMES
-
DEATH OF A PARENT AND HOW IT AFFECTS KIDS
-
COMING OF AGE
-
PHILOSOPHY OF LIFE
- IMPORTANCE OF STRONG FEMALE FIGURES IN A PERSON'S LIFE
WHAT'S DIFFERENT BETWEEN THE LION KING AND HAMLET
HINT, WHO DIES IN HAMLET?
OPHELIA - DROWNS
-
HAMLET HAS NO REASON LEFT TO LIVE
-
HIS MOTHER IS PROBABLY TO BLAME FOR HIS FATHER'S MURDER, TOO
EXAMPLE 1
THE LION KING
EXAMPLE 2
FINDING NEMO
SETTING
-
THE SOUTH PACIFIC, SPECIFICALLY THE AREA BETWEEN THE GREAT BARRIER REEF AND SYDNEY AUSTRALIA
-
THERE IS NO YEAR GIVEN, BUT WE CAN ASSUME CONTEMPORARY AS THERE ARE MODERN DENTISTS, SCUBA DIVERS, CARS, FISHING BOATS, CUTE
(MURDEROUS)GIRLS WITH BRACES, AND FISH TANKS
PLOT
I'M HANGING ONTO THIS ONE UNTIL THE END
CHARACTERS
NEMO
(OH NO, NOT YET)
MARLIN
DORY
BRUCE
ANCHOR
CHUM
CRUSH AND SQUIRT
GIL
BLOAT
BUBBLES
DEB/FLO
PEACH
DARLA
AND...
P. SHERMAN
42 WALLABY WAY
SYDNEY
FISHERMAN. EH? EH?
LITTLE DARLING?
CHEERY AND COLOR
TIDES - SPLIT PERSONALITY
LOVES BUBBLES
HE INFLATES
SCAR ON HIS GILL
THEY'RE SWEET ENERGY, LIKE SODA
FRIEND, ALSO FISH GUTS AS BAIT
HOLD BOATS, HAMMERHEAD
HOMAGE TO JAWS
BOAT THAT IS MORE STABLE WITH MORE WEIGHT
SPORT FISH, FUN
STYLE
-
IT'S A DIGITALLY ANIMATED MOVIE
-
TOLD IN CONTEMPORARY LANGUAGE
-
SITCOM HUMOR
GENRE
-
KIDS' MOVIE, RIGHT?
NEMO ISN'T EVEN THE MAIN CHARACTER. MARLIN'S FAMILY IS VIOLENTLY MURDERED, LEAVING HIS ONLY REMAINING SON PERMANENTLY CRIPPLED. MARLIN SUFFERS FROM PTSD AND THEN HIS SON IS KIDNAPPED.
TONE
COMEDIC
EARNEST
POINT
OF
VIEW
-
MARLIN IS THE MAJOR FOCAL POINT, BUT WE AREN'T IN HIS HEAD LOOKING THROUGH HIS EYES. SAME WITH WHEN NEMO IS THE FOCAL POINT
SO
- THIRD PERSON POINT OF VIEW, BUT WE STAY WITH EITHER MARLIN OR NEMO, SO IT'S THIRD PERSON LIMITED (WE ONLY REALLY SEE WHAT MARLIN OR NEMO SEE - WITH A FEW RARE EXCEPTIONS)
SYMBOLS
-
WELL, WE ALREADY DISCUSSED NAMES OF CHARACTERS AND WHAT THEY MEAN (EXCEPT ONE - THE BIG ONE = NEMO)
-
ALSO, RIDING IN BELLY OF WHALE
-
MEETING DEJECTED FISH
-
MEETING CRUSH/GOD OF CURRENTS
-
DARLA'S GNASHING TEETH
-
DENTIST DRAIN/WHIRLPOOL
-
TANK GANG AND FILTER
-
WHAT ELSE CAN YOU THINK OF?
THEMES
-
DEATH OF A PARENT AND HOW IT AFFECTS KIDS
-
COMING OF AGE
-
PHILOSOPHY OF LIFE
WHOSE STORY IS THIS?
SO...NEMO
LITTLE NEMO IN SLUMBERLAND
CAPTAIN NEMO
ODYSSEUS
ODYSSEUS SAYS NOBODY BLINDS POLYPHEMUS.
IN GREEK, NOBODY IS OUTIS.
IN LATIN, IT IS TRANSLATED AS ...
NOBODY
NEMO.
FINDING NEMO
FINDING NEMO
IS REALLY
FINDING NOBODY
BECAUSE THE STORY IS ABOUT MARLIN AND HIS ODYSSEY.
EXAMPLE 2
FINDING NEMO
EXAMPLE 3
NAME A MOVIE WE'VE ALL WATCHED AND KNOW
I CAN TRY TO SPITBALL MY WAY THROUGH IT
Literary Analysis
By Cameron Mount
Literary Analysis
- 783