Gokhan Aydın
Producer, Director, Jr. Academician, Addicted @ Art & 3D & Design & Photography & Cinema
Good Design
Ten principles for good design
Back in the late 1970s, Dieter Rams was becoming increasingly concerned by the state of the world around him: “An impenetrable confusion of forms, colours and noises.”
Aware that he was a significant contributor to that world, he asked himself an important question: is my design good design?
His answer is expressed in his ten principles for good design.
Dieter Rams
Vitsœ’s designer, Dieter Rams. Photograph by Abisag Tüllmann
Dieter Rams
“In 1957 I began to develop a storage system that formed the basis of the company Vitsœ, which was founded in 1959. Thus the ideology behind my design is engrained within the company.”
Good design is innovative
The possibilities for innovation are not, by any means, exhausted. Technological development is always offering new opportunities for innovative design. But innovative design always develops in tandem with innovative technology, and can never be an end in itself.
TP 1 radio/phono combination, 1959, by Dieter Rams for Braun
1
Good design makes a product useful
A product is bought to be used. It has to satisfy certain criteria, not only functional, but also psychological and aesthetic. Good design emphasizes the usefulness of a product whilst disregarding anything that could possibly detract from it.
MPZ 21 multipress citrus juicer, 1972, by Dieter Rams and Jürgen Greubel for Braun
2
Good design is aesthetic
The aesthetic quality of a product is integral to its usefulness because products we use every day affect our person and our well-being. But only well-executed objects can be beautiful.
RT 20 tischsuper radio, 1961, by Dieter Rams for Braun
3
Good design makes a product understandable
It clarifies the product’s structure. Better still, it can make the product talk. At best, it is self-explanatory.
T 1000 world receiver, 1963, by Dieter Rams for Braun
4
Good design is unobtrusive
Products fulfilling a purpose are like tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained, to leave room for the user’s self-expression.
Cylindric T 2 lighter, 1968, by Dieter Rams for Braun
5
Power of Good Design
By Gokhan Aydın
Power of Good Design
Dieter Rams’s ideology, engrained within Vitsœ
