Artificial

Future

AI&ART

Dita Malečková

Studia nových médií FF UK

ditamorg@gmail.com

https://slides.com/ditam-org/artificial-future

AI/ Umělá inteligence

 

(https://en.wikipedia.org/wiki/Artificial_intelligence)

Thalos

*Embodied Intelligence 

and human machines

Example: Dominic Cummings (#vote_leave)

Neural Networks/

Neuronové sítě

Image Recognition

Pattern Recognition

Deep Learning

1986: Deep Learning: Rina Dechter

2009:  “big bang” of deep learning (Nvidia)

2010: DeepMind

DeepDive, DeepDream, DeepGestalt, DeepFake,...

Deep Dream (Google)

GAN

Generative Adversarial Network

- Jürgen Schmidhuber,1990: artificial curiosity

- the name "GAN" was introduced by Ian Goodfellow et al. in 2014

#styleGAN #deepfakes

$432,500

Portrait d'Edmond Belamy

Memo Akten

An artificial neural network making predictions on live webcam input, trying to make sense of what it sees, in context of what it’s seen before.

 

It can see only what it already knows, just like us.

http://www.memo.tv/works/

Gloomy Sunday, 2018

Learning to see

Jake Elwes

https://www.jakeelwes.com/

Latent Spaces, 2017

Alexander Reben

Deeply Artificial Trees, 2017

http://areben.com/

amalGAN

Mario Klingeman

http://quasimondo.com/

Memories of Passersby I

AI generated non-existent faces

AI&movies

Sunspring, 2016

Lexus ad, 2018

(not to mention sound and literature)

Narciss

http://waltzbinaire.com/work/narc/

Cristian Mio Loclair

Blackberry Winter

We investigate the possibilities to identify motion as a continuous walk in a latent space of situations. Blackberry Winter is a triptych of artificial human motion in asymmetry. We developed three different choreographies of human bodies and their ongoing neural relationship in reference to each other, using our custom machine learning solution to weave spatial information into contemporary GAN technology.

(Latent) space

Umberto Boccioni: Matter, 1912

M. C. Escher: Circle limit I, 1958

Marcos Novak

Warp Map, 1998

Artificial Future

By Dita M. Org

Artificial Future

Artificial Intelligence in Art

  • 173