
Empowering Creators
The music industry generates
$140M
only capture 12% of the revenue their work creates
but content creators and their teams
per day
Matter
reduces
the friction
between
creators
& fans
Our technology
brings them closer together


media distribution leveraging proprietary payment fabric
Providing creators software
to efficiently run their business
contextual commerce through immersive user experiences
critical infrastructure
for creators to make more money at every stage
+
=
1. Bi-Partisan Congressional Support
2. Working with the Recording Academy
-
Ted Budd
-
Warren Davidson
-
Tom Emmer
-
Marsha Blackburn
"Matter is the technical embodiment of the Music Modernization Act"
Shaping Blockchain
Policy through
The following are willing to sign a letter in support of us to the SEC
3. Gaining SEC Approval
In the process to receive
the first No-Action Letter
in Blockchain

-
French Hill
-
Lamar Alexander
-
Lindsay Graham
-
Bill Huizenga
Matter fills a value gap.
Delivering value to an underserved
market segment that will be the
largest sector of the music industry
in the next five years
By providing ideal solutions to early stage creators, we grow with them as a platform and capture more lifetime value per user.
Why do we Matter
right now?
$51.1B
music industry market cap
$15.3B
indie music
market cap
30% YOY
indie music
industry growth

95% of creators are independent,
neglected, and underserved
2.7x
Independent music fans spend
more than the average fan
3M
We have direct access to
loyal fans through our partners
Getting to 500k users requires converting just ⅙
of the audience we already have access to
Matter Makes Streaming Profitable
Monthly Revenue Assumptions
Subscribers
10,000
50,000
100,000
500,000
Subscription Revenue
Commerce Revenue
$29,900
$162,200
Gross Revenue
Net Revenue
$192,100
$43,241
$149,500
$811,000
$960,500
$216,205
$299,0 00
$1,622,000
$1,921,000
$432,410
$1,495,000
$16,220,000
$19,210,000
$4,324,200
*Break even point = 0,024667% = 26,000 users
**Excluding SG&R expenses
Paul Meed
Co-CEO
Created and sold his cryptocurrency trading firm, then got over 5 million streams with his first releases as an independent artist.
Ryan Klaus
Co-CEO
Lead 98% yoy sales growth at Neighborly and 400% yoy growth at Sangha leading to his first successful exit.
Zach Farnum
Head of Music
Music industry entrepreneur who represents major musicians including Randy Travis and Jerry Lee Lewis. Deep experience securing media placements, managing artists, and booking events
Boris Adimov
CTO
Years of experience in building and shipping mobile apps, startups, complex services, and promotional websites
Bogdan Kovtun:
VP of Engineering
With over 20,000 career hours spent as a backend developer, he is practically a machine himself.




Here’s who we are
Tigran Tumasov
Product Manager

Exceptional productivity and problem-solving skills combined with outside-the-box thinking to design the best possible product.

What we have built now

What is under development

Platform as a Service
We are raising
$2.7 million
Bringing Matter past
product market fit

— Exclusive content partnerships to grow to 10k weekly active users
— 12 months of full-time engineering focus to take platform into monetization
— 2 strategic hires: Head of music and Senior UI/UX developer
— Strategic marketplace launch
— Establish a physical location for team and expansion
Road Map
Jan
Private
Alpha
Feb
Creator
On-boarding
Launch of streaming features
June
Soft Launch
Launch of social features Bring initial users into the Private Alpha.
May
Live Payments
Completion of mUSD integration to be used in weekly smart contract distributions
July
Shop
Completion of digital marketplace and commerce stimulus plan
Sep
IOS + Launch
Completion of iOS media player. Launch of shop, iOS and platform monetization, proprietary sync listening
Initial invites sent
Appendix
Customer Acquisition
Our average user on a $2.99 monthly subscription plan generates $1.62 in net profits each month
Our median acquisition cost is $.60 per user, requiring just 1 in 30 customers to subscribe to a 1 year plan.
How we do it? We leverage our existing relations with cult-followed creators, and incentivize them to release week long exclusives to the platform.

Here’s why we are defensible
Artists already onboarded support our pricing model
We are addressing an unaddressed and underrepresented market. Forcing incumbents to abandon current business practices to compete on our terms
-
Our pricing model removes the uncontrollable cost of goods problem experienced by all media platforms today
-
Reducing several layers of “middlemen”, allowing us to pay creators more, faster, and transparently
-
Providing the most effective way to monetize impressions
-
Software solutions that turn independent creators into chart-topping artists
Available non-core Growth Strategies
We convert high activity users into fuel for what will be the highest volume music commerce market in the world.
- Finance
- Artist banking
- Project financing
- Data
- b2b analytics for labels
- Technology
- Collaborative production tools
- Merchandise
- Design
- Order Fulfillment
Blockchain driven efficiency
Data Ownership
Transparency
Scalability
Reduced Cost
Servers
Payment Processing
Options
Security
Global Reach
Internet 2.0
Congressional
Support
Our blockchain platform allows best in-class:
The network
enables revenue

Smart Contract Revenue Distribution (Patent Pending)

Profit
Potential
As streaming consumption increases, incumbents are unable to absorb increasing licensing costs.
If music consumption trends continue (8.96%+ YOY), current industry leaders will be vulnerable to a company that can offer a more expansive product with lower price points.
Because we provide more value than just streaming, we can effectively double the margin's of industry leaders, regardless of product pricing.
Of the 71% of Americans who do not use music streaming, 55% cited high subscription costs as the number one reason.


*Spotify data from previous 5 years

The Breakdown
$43,000,000,000 of revenue was generated in 2018,
with over $29b going to non-content creators
Artist Streaming Payouts



Are you able to earn minimum wage?
With the advent of the digital age, artists have been unable to monetize their work. Forcing them to come up with other ways to make ends meet. Such as performing live shows and selling merchandise.

**artists typically only receive distributions every 3-6 months.
Structure
of the
Industry
The present internal structure of the music industry was born when the radio was king, the record store was queen, and the labels were small and independent.
Principal Organisational
Structures of the Music
Industry

Strong results with only $350k spent
5,180 hours of development
3 platform designs and iterations
1 re-brand
Unprecedented NAL submission
Initial Artists with over 31,000,000 monthly streams
Core functionality with highly scalable codebase
Surpassing of the competitions user behavioral analytics
Patentable IP
Investors and Advisors
Sonic Ark Publishing
TXV Partners
Alan Loudermilk
Curated Capital Group
Next Stage Partners
Edison Ventures
The Recording Academy
Keyworld
Patrick McQuown
Investors
Advisors
Citations
1. Winberg, Sampo. “Constantly Evolving Music Business: Stay Independent vs. Sign to a Label: Artist’s Point of View,” n.d., 68.
2. “The Average Person Spends Less Than $15 Per Year on Streaming Music | Digital Trends.” Accessed February 2, 2019. https://www.digitaltrends.com/music/nielsen-streaming-music-spending-news/.
3. “Spotify Just Turned the First Net Profit in Its History (but It’s Not Particularly Happy about It).” Music Business Worldwide, November 1, 2018. https://www.musicbusinessworldwide.com/spotify-just-turned-the-first-net-profit-in-its-history-and-its-not-particularly-happy-about-it/.
4. “Here’s Exactly How Many Shares the Major Labels and Merlin Bought in Spotify - and What Those Stakes Are Worth Now.” Music Business Worldwide, May 14, 2018. https://www.musicbusinessworldwide.com/heres-exactly-how-many-shares-the-major-labels-and-merlin-bought-in-spotify-and-what-we-think-those-stakes-are-worth-now/.
5. “The SoundCloud You Loved Is Doomed | Pitchfork.” Accessed February 2, 2019. https://pitchfork.com/thepitch/the-soundcloud-you-loved-is-doomed/.
7. “Declining Audience, Rising Revenue For Pandora.” Insideradio.com. Accessed February 2, 2019. http://www.insideradio.com/free/declining-audience-rising-revenue-for-pandora/article_f0f129be-9556-11e8-b009-5fa5684f0ca0.html.
8. Kafka, Peter. “Spotify Has Guaranteed to Pay Big Music Labels Billions over the next Two Years.” Recode, June 15, 2017. https://www.recode.net/2017/6/15/15807382/spotify-revenue-2016-financials-guarantee-payment-universal-merlin.
Matter seed round (b2sb)
By Fairy Mymyu
Matter seed round (b2sb)
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