Wearable Art
AY 23/24
Wearable Art
Prepared by: MDRN
B-FA222_332 STUDIO ELECTIVE WS
LASALLE College of the Arts
Singapore
week-1
AY 23/24
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
Introduction
AY 23/24
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
Muhammad Dhiya Bin Rahman [MDRN]
Dhiya also known as MDRN is an artist, designer, maker and probably Singapore's only surfboard shaper/builder. He is partner at STUDIO SWELL which works on prints, branding, graphic design. Runs an art studio, neuwave, dealing with installations and object making. Makes surfboards under the label The Happy Poison Gang.
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
The Oort Cloud & Blue Mountain
Groninger, Holland
recent work
AY 23/24
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
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Mobile Plant Rack
recent work
AY 23/24
The Oort Cloud & Blue Mountain
Dresden, Germany
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
recent work
AY 23/24
On Learning (about wearable art)
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
Wearable Art is an elective course that focuses on implementing 3D techniques and materials to the human body in creative, expressive and kinetic ways. The outcomes generated will encompass and intersect between Making, Context, Kinesthetics and Aesthetics.
Through a series of recommended readings, references, weekly in-class exercises and classroom discussions will trigger and generate ideas that can be visually, physically and kinesthetically applied to the human body that will be considered as an empty ‘canvas’. You are encouraged to use these readings, visual research, weekly explorations and experimentations in materials and techniques to support your practical work and to consider fragments of them as starting points or context for your project. In a series of making workshops you will be introduced to materials and techniques that will specifically focus on various parts of the body, you will be required to experiment and explore in these workshops to find unique and creative ways in expressing possibilities of the human body as an empty ‘canvas’ that is paradoxically static and dynamic.
This course aims to discover the qualities and potentials of 3D art practice through abstract interpretation, representation and aesthetics via the human body as an alternative to space. Furthermore, you will be exposed to relevant making techniques, material properties and potentials, experiments and explorations with the human body to give form to your ideas and present them through a series of images and/or videos documentation as well as a short physical installation/performance for the One Night Only showcase.
Past works:
AY 23/24
On Learning (weekly outlines)
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
week-1: head paper & 1 other material
week-2: face foam & 1 other material
week-3: arms fabric & 1 other material
week-4: torso cardboard/greyboard/foamboard & 1 other material
week-5: legs rope/wire & 1 other material
week-6: combination choose 2 body parts, materials you choose
week-7: proposal written proposal & 10mins presentation
week-8: break
week-9: production 1
week-10: production 2
week-11: production 3
week-12: ONO showcase, performance/installation
AY 23/24
On Learning (expectations)
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
making
experimentations
discussions
craftsmanship
aesthetics
documentation
conceptualisation
AY 23/24
On Learning (deliverables)
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
journal
object/sculpture
documentation (images & videos)
installation/performance/runway (ONO)
proposal
presentation
AY 23/24
wearing art?
HUH?!?!
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
start with questions???
AY 23/24
how do we wear art?Yeah how?...
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
limitations, technicalities, materiality, form ...
AY 23/24
where do we start?
THEME?TOPIC?SUBJECT?
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
The class of Wearable Art AY23/24 will be required to produce a wearable art piece referencing and translating Bother Joseph McNally's work.
The aim of this theme is to celebrate the 100years of Brother Joseph McNally and the wearable art piece is to be featured in LASALLE's Centenary Celebrations.
Wearable Artists are to research, study, reference and translate Brother Joseph McNally/s. Here is an online collection on some of his works. It is encouraged to look into various sources of information and news related to him and observe his works physically, they can be found within LASALLE Campus.
Look into the materials he used, forms expressed, textures imprinted or techniques implemented to use as starting points for the work.
Artists are to then present and propose their ideas before the execution and production of work.
AY 23/24
how can we make the work potentially to be even more interesting?
kinetic? poetic? aesthetic? materiality? details!
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
add values to your work, set criterias!
AY 23/24
how well do we know the human body?
its abilities and capabilities?
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
test and experiment > evaluate and decide
AY 23/24
head
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
in-class exercise-1
Objective: To focus on the head and head movement as a canvas for the materials and techniques to be expressed on.
Primary material - Paper
Secondary material - Student to consider, propose and use.
x1 sculpture
documentation (images&videos)
90mins+-
AY 23/24
you are to create a sculpture out of paper and another material of your choice, the sculpture should be able to adhere to your head.
The sculpture should possess;
a)fundamental principles
b)good degree of craftsmanship
c)aesthetics not to be compromised
d)anything unique and interesting to add value
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
brief
2.finish 10mins before class for "show & tell"
1.document the process, document the finished outcome, document to be on point.
Document to be uploaded to the shared Google Drive folder
AY 23/24
research Brother Joseph McNally
choose 1 image of his* work, upload to shared drive, prepare to talk about the work next week
source & bring materials & tools for in class exercise
update journal
research
references
readings
AY 23/24
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-1
homework & next week
week-2
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
foam
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
who primarily uses/works with foam?
what are the types of foam available?
where can you find foam?
when would you use foam?
why would you consider foam as a material to work with?
which artist works well with foam?
how do you work with foam?
material
accumulation & aggregation
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
accumulation is
- The act of amassing or gathering, as into a pile.
- The process of growing into a heap or a large amount.
- A mass of something piled up or collected.
aggregation is
- The act of collecting together (aggregating).
- The state of being collected into a mass, assemblage, or sum (aggregated).
- A collection of particulars; an aggregate.
approach
tara donovan
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
accumulation & aggregation in art (artist reference)
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
AY 21/22
maiko takeda
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
accumulation & aggregation in wearable art (artist reference)
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
AY 21/22
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
cyrus kabiru
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
(artist reference)
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
(visual reference)
face
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
in-class exercise-1
Objective: To focus on the face, features and expressions as a canvas for the materials and techniques to be expressed on.
Primary material - Foam
Secondary material - Student to consider, propose and use.
x1 sculpture
documentation (images&videos)
90mins+-
you are to create a sculpture out of foam and another material of your choice, the sculpture should be able to adhere to your face or parts of your face.
The sculpture should possess;
a)accumulation & aggregation
b)good degree of craftsmanship
c)aesthetics not to be compromised
d)anything unique and interesting to add value
i.e using expressions or facial movements to move the sculptural elements
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
brief
2.finish 10mins before class for "show & tell"
1.document the process, document the finished outcome, document to be on point.
Document to be uploaded to the shared Google Drive folder
source and bring materials & tools (fabric)
finish/improve in-class exercise
improve documentation (surrounding background?)
update journal
research
references
readings
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-2
homework & next week
week-3
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
fabric
how is fabric made?
what are the types of fabric available?
who primarily uses/works with fabric?
where can you find fabric locally?
when is fabric used?
why would you consider fabric as an art material to work with?
which artist works well with fabric?
how do you work with fabric?traditional vs alternative?
material
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
fabric vs textile
Is textile the same as fabric?
They range from fibers woven together to a finished product, ready for use. In addition, fabric is still under the textile umbrella. So in other words, you can make fabric and textiles from the same materials.
material
To summarise, not all textiles are fabric, while all fabric is a textile
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
natural vs man-made
Definition of a fibre:
material
‘Any substance composed of a thread-like tissue whether animal vegetable or mineral, especially when it is capable of being spun or woven’.
- Dorothy Burnham A Textile Terminology Warp & Weft.
manipulation techniques
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
traditional ways
of working, producing and/or manipulating fabric;
- sewing
- weaving
- punch needling
- printmaking
- can you list more?
alternative ways
of working, producing and/or manipulating fabric;
- lasercutting
- 3d printing
- composites
- adhesives
- can you list more?
approach
anni albers
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
(artist reference)
nora fok
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
(artist reference)
noa raviv
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
(artist reference)
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
arms
in-class exercise-1
Objective: To focus on the arms and hands as a canvas for the materials and techniques to be expressed on.
Primary material - Fabric
Secondary material - Student to consider, propose and use.
x1 sculpture
documentation (images&videos)
90mins+-
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
you are to create a sculpture out of fabric and another material of your choice, the sculpture should be able to adhere to your arms.
The sculpture should possess;
a)manipulation of material
b)interesting forms
c)unique aesthetics
d)anything unique and interesting to add value
i.e using arm gestures + materiality of fabric
brief
2.finish 10mins before class for "show & tell"
1.document the process, document the finished outcome, document to be on point, document to be uploaded to the shared Google Drive folder
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
‘This is the rule I always give myself: that nothing new can come from a situation that involves being free or that doesn’t involve suffering.’
words of wisdom
Going around museums and galleries, seeing films, talking to people, seeing new shops, looking at silly magazines, taking an interest in the activities of people in the street, looking at art, travelling: all these things are not useful, all these things do not help me, do not give me any direct stimulation to help my search for something new. And neither does fashion history. The reason for that is that all these things above already exist.
I only can wait for the chance for something completely new to be born within myself.
The way I go about looking for this from within is to start with a provisional ‘theme’. I make an abstract image in my head. I think paradoxically (oppositely) about patterns I have used before. I put parts of patterns where they don’t usually go. I break the idea of ‘clothes’. I think about using for everything what one would normally use for one thing. Give myself limitations. I pursue a situation where I am not free. I think about a world of only the tiniest narrowest possibilities. I close myself. I think that everything about the way of making clothes hitherto is no good. This is the rule I always give myself: that nothing new can come from a situation that involves being free or that doesn’t involve suffering.
In order to make this SS14 collection, I wanted to change the usual route within my head. I tried to look at everything I look at in a different way. I thought a way to do this was to start out with the intention of not even trying to make clothes. I tried to think and feel and see as if I wasn’t making clothes.
- Rei Kawakubo, October 2013
source and bring materials & tools (cardboard/greyboard/foamboard)
finish/improve in-class exercise
improve documentation (surrounding background?)
update journal
research
references
readings
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
homework & next week
week-4
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-4
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-4
cardboard/greyboard/foamboard
(sheet material)
how are these materials made?
what are the main usages for these materials?
where can you find these materials locally?
why would you consider these materials as an art material to work with?
which artist works well with these materials?
how do you work with these materials?traditional vs alternative?
material
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-4
structural integrity
Structural integrity is the study of the safe design and assessment of components and structures under load, and has become increasingly important in engineering design. It integrates aspects of stress analysis, materials behaviour and the mechanics of failure into the engineering design process.
material
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-4
cardboard
visual references
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-4
torso
visual references
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-4
torso
visual references
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-4
shapes>form
Use simple primitive shapes to create possible form/s. Use visual principles static, dynamic, path, direction, repetition, rotation, symmetry, assymetry, gestalt, contrast as starting points.
Consider size, dimension, quantity!
approach
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
torso
in-class exercise
week-4
To focus on the body’s torso and movement as a canvas for
the materials and techniques to be expressed on.
Primary material - Cardboard/Greyboard/Foamboard
Secondary material - Student to consider, propose and use.
x1 sculpture
documentation (images&videos)
90mins+-
?
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
Firstly, you are to create a design from the approach, plan & sketch. Secondly, it should be made out of cardboard / greyboard / foamboard consider the design and production. Finally you are to create a wearable that should be able to adhere to your torso.
The sculpture should possess;
a)manipulation of material
b)interesting forms
c)unique aesthetics
d)anything unique and interesting to add value
i.e using torso gestures + exaggerated forms
brief
2.finish 10mins before class for "show & tell"
1.document the process, document the finished outcome, document to be on point, document to be uploaded to the shared Google Drive folder
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-3
Wearable Art format Options;
1) Runway Show - Work to finish before show, model???, Integrity of work, Programming/Scheduling, Performative
2.1) Installation A (Image, Video, Work) - Work to finish week++ earlier, Equipment, Logistics, Presentation format/s, Static
2.2) Installation B (Site Specific) - Work to finish before show, Time, Site, Performative
*Chosen option to be discussed with Artist as Curators
ONO Showcase Discussion
source and bring materials & tools (rope & wire)
finish/improve in-class exercise
improve documentation (motion?)
update journal
research
references
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-4
homework & next week
week-5
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
rope & wire
(freeforming material)
how are these materials made?
who in history makes and uses ropes or wires?
what are the materials common and uncommon uses?
why would you consider these materials as an art material to work with?
which artist works well with these materials?
how do you work with these materials?traditional vs alternative?
material
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
freeforming!structure?
techniques on working with the material?
*knots
*tension
*weaving
*skeletal
material
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
rope & wire
visual references
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
rope & wire
visual references
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
rope & wire
visual references
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
rope & wire
visual references
legs
in-class exercise
To focus on the legs and its movement as a canvas for
the materials and techniques to be expressed on.
Primary material - rope and wire
Secondary material - Student to consider, propose and use.
documentation (images&videos)
90mins+-
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
you are to a create wearable reflecting on the usage of rope & wire, the wearable should adhere to the legs and you should use movement as a motivation to the wearable your are going to produce.
The sculpture should possess;
a)manipulation of material
b)interesting forms
c)unique aesthetics
d)anything unique and interesting to add value
i.e using kicking as an expression + trailing ropes
brief
2.finish 10mins before class for "show & tell"
1.document the process, document the finished outcome, document to be on point, document to be uploaded to the shared Google Drive folder
finish/improve in-class exercise
improve documentation (gifs, videos)
update journal
research
references
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-5
homework
1. prepare proposal of wearable for ONO
- use proposal template provided
- proposal to be uploaded into shared-drive before class next week
2. prepare proposal of wearable for ONO
- presentation should not be more than 10mins
- use Google slides for presentation slides and upload slides in shared-drive
3. refine all in-class exercises documentation in shared-drive
- provide low resolution (72dpi)
- ensure images are in .jpg or .png
- rename all files as such: name-titleOfWork-1/2/3.jpg
*please bring along other supporting materials for presentation
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
next week (week 7)
week-6
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
head + paper
in-class exercise-week-1
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
face + foam
in-class exercise-1week-2
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
arms + fabric
in-class exercise-week-3
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
torso + cardboard/greyboard/foamboard
in-class exercise week-4
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
legs + rope/wire
in-class exercise week-5
Combination
in-class exercise
To focus on the 2 body parts and imovement as a canvas for
the materials and techniques to be expressed on.
Primary material - Students to consider, propose and use
Secondary material - Student to consider, propose and use.
documentation (images&videos)
120mins+-
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
you are to a create wearable focusing on 2 body parts, the wearable should adhere to the body parts and you should consider movement to increase the uniqueness off the wearable your are going to produce.
The sculpture should possess;
a)manipulation of material
b)interesting forms
c)unique aesthetics
d)anything unique and interesting to add value
brief
2.finish 10mins before class for "show & tell"
1.document the process, document the finished outcome, document to be on point, document to be uploaded to the shared Google Drive folder
1. prepare proposal of wearable for ONO
- use proposal template provided
- proposal to be uploaded into shared-drive before class next week
2. prepare proposal of wearable for ONO
- presentation should not be more than 10mins
- use Google slides for presentation slides and upload slides in shared-drive
3. refine all in-class exercises documentation in shared-drive
- provide low resoultion (72dpi) and high resolution (300dpi) images in .jpg format
- rename all files as such: name-titleOfWork-1/2/3.jpg
*please bring along other supporting materials for presentation
AY 21/22
Wearable Art
B-FA222_332 STUDIO ELECTIVE WS
week-6
next week (week 7)
wearableArt-AY24/25
By MDRN
wearableArt-AY24/25
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