Jonathan Morgan
Adjunct Professor of Art at Lone Star College & South Dakota State University, PhD candidate at IDSVA
Chinese Influence on Japanese Painting
Zen Aesthetics
FUJIWARA TAKANOBU
Portrait of Yoritomo
1179 CE
Color on silk
TAKASE FAMILY
Hitofude-Ryuu Painting
c. 2010 CE
SESSHU TOYO
Splashed-Ink (Haboku) Landscape
(detail of the lower part of a hanging scroll)
1495 CE
Ink on paper
SESSHU TOYO
Winter Landscape
1486 CE
Ink on paper
KANO MOTONOBU
Zen Patriarch Xiangyen Zhixian Sweeping with a Broom
c. 1513 CE
Ink and color on paper
YIN HONG
Hundred Birds Admiring the Peacocks
Late 15th to early 16th century CE
SHEN ZHOU
Poet on a Mountain Top
c. 1500 CE
Saiho-ji (a.k.a. Koke-dera, or 'Moss Temple')
Kyoto, 14th century CE
Zen mountains and "waterfall"
Daisen-in, Kyoto, Japan, c. 1488 CE
Karesansui (dry landscape) garden
Ryōan-ji Temple, Kyoto, Japan, c. 1488 CE
Kogan (tea-ceremony water jar)
Late 16th century CE
Shino glazed stoneware with underglaze from slip decoration
KOYAMA KIYOKO
Tea bowl
c. 2000 CE | Stoneware with natural ash glaze
Stoneware cup with clear, crackled glaze, stained by ink
Gold lacquer repair (Kintsugi)
c. 17th century CE
By Jonathan Morgan
Adjunct Professor of Art at Lone Star College & South Dakota State University, PhD candidate at IDSVA