DONALD JUDD

Untitled

1969 CE
Brass and colored fluorescent Plexiglass on steel brackets

DAN FLAVIN

The Nominal Three (to William of Ockham)

1963 CE | Fluorescent lights

"It is what it is, and it ain’t nothin’ else. . . .  There is no overwhelming spirituality you are supposed to come into contact with. . . . It’s in a sense a “get-in-get-out” situation. And it is very easy to understand. One might not think of light as a matter of fact, but I do. And it is, as I said, as plain and open and direct an art as you will ever find."
- Dan Flavin

FRANK STELLA

Mas o Menos (More or Less)

1964 CE | Metallic powder in acrylic emulsion on canvas

FRANK STELLA

Untitled

1966 CE

TONY SMITH

Die

1962 CE | Steel

RICHARD HAMILTON

Just What Is It That Makes Today’s Homes So Different, So Appealing?

1956 CE
Collage

ROY LICHTENSTEIN

Hopeless

1963 CE | Oil on canvas

Roy Lichtenstein's Ben-Day Dot Painting Technique

ROY LICHTENSTEIN

Oh, Jeff … I Love You, Too … But …

1964 CE | Oil on canvas

ANDY WARHOL

Green Coca-Cola Bottles

1962 CE
Oil on canvas

The Evolution of Warhol's Style

ANDY WARHOL

Campbell's Soup Cans

1962 CE | Synthetic polymer paint on paper

Silkscreen printing is an old wallpaper making technique

ANDY WARHOL

Campbell's Soup Cans (Tomato Soup)

1962 CE
Synthetic polymer paint on paper

ANDY WARHOL

Gold Marilyn

1962 CE
Synthetic polymer paint on paper

Celebrity through the eyes of Warhol

ANDY WARHOL

Marilyn Diptych

1962 CE | Synthetic polymer paint on paper

ANDY WARHOL

Brillo Soap Pads Box

1964 CE

Photo taken during the 1964 exhibition at the Stable Gallery

ANDY WARHOL

Heinz Tomato Ketchup Box
1964 CE |