MCT4045
interactive music systems
presented by Thomas
key features
literature review
evaluation
design
key features
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hyper instrument
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spectral delay
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karplus-strong
- granular synthesis
design
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spectral delay
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granular synthesis
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karplus-strong
literature review
Percussive Fingerstyle Guitar
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percussive fingerstyle
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interaction mapping
An Approach to Instrument Augmentation
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contact points
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tilt
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obvious sonic meaning
Towards a Model for Instrumental Mapping
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simple / complex
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some players have spare bandwith
Re-Designing Principles for Computer Music Controllers
evaluation
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gesture - sound
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virtuosity
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playability
reference list
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O'Modhrain, S., 2011. A Framework for the Evaluation of Digital Musical Instruments. Computer music journal, 35(1), pp.28–42.
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Andrea Martelloni, Andrew McPherson, and Mathieu Barthet. 2020. Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 440–445
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Otso Lähdeoja. 2008. An Approach to Instrument Augmentation : the Electric Guitar. Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 53–56. http://doi.org/10.5281/zenodo.1179585
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Hunt, A., Wanderley, M., & Kirk, R. 2000. Towards a Model for Instrumental Mapping in Expert Musical Interaction. ICMC.
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Perry R. Cook. 2009. Re-Designing Principles for Computer Music Controllers : a Case Study of SqueezeVox Maggie. Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 218–221. http://doi.org/10.5281/zenodo.1177493
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Kreidler, J. & Barden, M., 2006. Loadbang : programming electronic music in pd, Hofheim: Wolke Verlag.
deck
By thomanda
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