Elisa Beshero-Bondar PRO
Professor of Digital Humanities and Chair of the Digital Media, Arts, and Technology Program at Penn State Erie, The Behrend College.
Tracking changes in image snips.
Examiner (EMS)
Prompt Book (PBMS)
EMS
(cast list doesn't appear in prompt book)
PBMS
EMS
PBMS
EMS
PBMS
EMS (exclamation points)
PBMS: calmer punctuation: 1 exclamation point followed by semicolons
EMS
PBMS: stage direction expanded
EMS: exclamation pts and parentheses
PBMS: semicolons and dashes
EMS
PBMS: more explicit stage direction
EMS: "Back to earth / Rebellious stone!"
PBMS: shortened speech, added stage action ("throwing the stone up I.")
EMS
PBMS
EMS
PBMS (minor incidental)
EMS
PBMS (minor punc changes)
EMS
PBMS: new stage direction
EMS
PBMS: Elaborate blocking added
PBMS enlarged
EMS
PBMS: deleted (moved?) stage prompt
EMS
PBMS: compressed/deleted/altered stage directions
EMS
PBMS: expanded stage directions: detail physical violence
EMS (”Quick!“)
PBMS (deleted word / altered punct)
EMS
PBMS: added ”!“ and stage direction
Act I Scene 2: EMS
PBMS: added setting (”with a ravelled skein of red worsted“)
EMS
PBMS: altered punct
EMS
PBMS: (added blocking)
EMS
PBMS (altered caps and punct)
EMS
PBMS (altered punct)
EMS
PBMS (altered punct)
EMS
PBMS: added blocking, stage directions
EMS
PBMS: compressed, punc altered, added stage directions
EMS
PBMS: altered punct, compressed, added stage direction
EMS
PBMS: added stage directions, altered punct
EMS
PBMS: significantly altered punct
EMS
PBMS: stage direction: “Rienzi and Claudia Rise”, altered word (“guard” to “watch”), altered punct
EMS
PBMS: added stage directions, altered punct
PBMS: added stage direction
PBMS: added stage direction
PBMS: Stage direction adds movement and urgency to lines
PBMS: added blocking
EMS: “Hast thou read”
PBMS: “Hast read”
compression
PBMS: added blocking: Rienzi moves to I, on saying “If a truth—”
PBMS: more blocking: Rienzi keeps moving as he shifts topics with “Where is Angelo?”
PBMS: added stage directions and blocking
PBMS: specific blocking cues
PBMS: added blocking / movement
PBMS: Added stage direction for “All the Citizens”
PBMS: Stage directions give placement clues and make explicit who's being referenced
PBMS: experiments with compressing a passage, reserving the ”cut” portions in pinned sections
PBMS: added stage direction for Citizens
PBMS: added stage directions: communication cue and blocking
PBMS: Added stage direction adds body language: physical connection
PBMS: added stage directions for “All the Citizens”
PBMS: more stage directions for “All the Citizens”
PBMS: Stage direction adds music: ”Military band is heard playing a march without U.C.R”
PBMS: More explicit stage directions
EMS
PBMS: added in dialogue: more precise stage direction / blocking
EMS: 1st Citizen
PBMS: changed to 3rd Citizen, added blocking
EMS
PBMS: more precise stage direction/ blocking
EMS
PBMS: emphasis added to “lineal”
EMS
PBMS: altered/reduced stage directions (no shouts)
EMS (note the 2nd Citizen's comment)
PBMS (cut out the 2nd Citizen, stage direction emphasis on crowd shouting)
PBMS: note condition of text for this scene : three fragments pieced together with pins
Ready to cut / copy / move
EMS
PBMS: added blocking; Citizens specific lines reduced to a stage direction: “Shout”
EMS
PBMS: optional compression? State 1:
PBMS: expanded State 2:
EMS
PBMS: added “a Couch in center”, struck out embroidery direction
EMS
PBMS: slight alterations (capitalization, etc); pinned text, apparently an excision from Rienzi's entrance speech later in this scene
EMS: Rienzi's entrance
PBMS (inline: compressed version)
PBMS: apparently cut portion (pinned to back of this page)
EMS
PBMS: capitalization: “Housewifery”, “Bee”
EMS
PBMS: more capitalization
EMS
PBMS: much compressed (removed middle lines about Claudia learning her power)
PBMS: cut passage pinned to bottom of same page
EMS
PBMS: more precise stage direction
EMS
PBMS: added blocking
EMS
PBMS: incidental changes; altered syntax for ending of Ursini's speech
EMS
PBMS: “droves” changed to “dozens”; punctuation altered
EMS: Angelo: ”Yet he‘s wise;”
PBMS:
Angelo: “Yet he‘s wiser”
added stage directions for Angelo's movements, music outside, blocking for Rienzi's entrance
EMS: ”Sir, I come / A suitor to you.”
PBMS: ”Sir, I come / A Suitor to thee,”
Added blocking, ”Columbs”
EMS
PBMS: stage direction added,
punc changed
EMS
PBMS: added stage direction (movement across the stage closer to Rienzi);
capitalization of ”Brother” here and throughout Rienzi’s speech, with other cap and punct changes: ”Boy” and ”Justice”)
EMS
PBMS
EMS: ”The Holy Father kneeling”
PBMS: “The Holy Pontiff kneeling”
EMS
PBMS: compressed description of the wife's voice; altered capitalization/punct
EMS
PBMS: compression?
cut marked in quotation marks
EMS
PBMS: note altered caps in Savelli's speech, and altered punct in Colonna's speech
EMS
PBMS: added stage directions
PBMS: added blocking. On immediately facing page on left: marked for inclusion: ”A Crimson Chair”
EMS
PBMS: Added blocking
EMS
EMS
PBMS: exclamation point
PBMS: detailed stage directions for exits and entries, some deleted where indicating characters present who should have exited
PBMS: Added stage direction: “(Lords and Ladies sit down)”
EMS
PBMS: added blocking; much reduced speech. (Cut portion pinned to the page, on next slide)
PBMS: Several cut lines, pinned.
EMS
PBMS: altered punct (minor)
EMS
PBMS: Added stage directions; altered punct
EMS
PBMS: exclamation point
PBMS: inserted stage direction above line: ”gives a paper to Rienzi”
EMS
EMS
PBMS: Added blocking
EMS
PBMS: corrected miscopy?
PBMS: Compressed:
cut passage pinned in quotation marks
PBMS: Added stage direction: “(all rise except Collona)” (sic)
EMS
PBMS: Added stage direction: “(Drinks)”
EMS
PBMS: Compressed Rienzi's speech; cut passage signalled and pinned in quotation marks
EMS
PBMS: Added lines for Rienzi before the masquers enter: “A fit tale of mirth; / To crown the goblet—!”
Added blocking
EMS
EMS
PBMS: altered punct
EMS (Angelo's re-entry): “An thou but...”
PBMS: Added blocking, exclamation point
”An ye but...”
EMS: ”Art frenetic Rienzi?”
PBMS: ”Art frantic, Rienzi?—”
Added blocking
EMS: “—the bold Savelli,” “knowst” ”Guilt,”
PBMS: “:—the bold Savilla” ”knowest,” “guilt”
more altered punct
EMS: ”Here in my festive home; the mutual cup”
PBMS: “The mutual cup” (deleted half line)
other punct changes
EMS: passage marked for deletion, metamark pointing to an alternate version
PBMS: much compressed version of deleted passage (preserved parts of EMS highlighted)
PBMS: cut passage (pinned on facing page)
“Did ye think the people could spare their Tribune?”
EMS: alternate passage marked to replace the previous slide's deleted speech by Rienzi
(not represented in PBMS)
“I soar / Too high above ye.”
EMS
PBMS: added stage directions (to distinguish who Angelo means by ”my father”), altered punct
EMS
PBMS: added blocking
EMS
PBMS: Gives Frangipani's question to Ursini as rhetorical question
EMS: “Nay Rome herself”
“Yet thy great father, our good Tribune—”
PBMS: ”and Rome herself—”
“Yet thy good father, our Great Tribune”
added blocking
EMS: “Beseech ye”
PBMS: “Beseech thee”
added blocking
EMS
PBMS
EMS: Rienzi's words at the Lateran church within Savelli’s speech:
PBMS: Added quotation marks to offset Rienzi’s words
EMS
PBMS: altered punct, more detailed stage directions and blocking
EMS: “the general voice / May hail his successor.”
PBMS: “the general love / May hail his successor.”
EMS: ”Already / Dost weary of the title?”
PBMS: “Already / Dost weary of the title—”
EMS: ”to direct / The royal puppets as my sovran will”
PBMS: signalled compression of Rienzi‘s speech
EMS: conversational Q & A:
“Well? / ”Alas!”
PBMS: ”Well!”
EMS
PBMS: cut line marked inter-lineally, in quotation marks
EMS
PBMS: Added stage directions: “Throws down his Glove” / ”Takes up the Glove”
Altered emphasis/exclamation:
EMS
PBMS: more specific stage directions: “and nobles”, blocking.
Lady C. specified
EMS
PBMS: Added emphasis
PBMS: added blocking and emphasis
EMS
EMS: “Bear witness to my truth.”
PBMS: “Bear witness to my oath!”
EMS
PBMS: Added blocking
EMS: Claudia asks about Angelo‘s delay
PBMS: Added question from Claudia:
“and wherefore went ye / To the Lateran dear father?”
Compression of Rienzi's answer?
EMS
PBMS: Lines altered, punct changed
EMS
PBMS: added blocking
EMS
PBMS: Added stage directions
EMS
PBMS: add word "sooth"
EMS: The “old valiant chief” isn't identified, but suggested by ”pillar” (Colonna)
PBMS: Adds speech part and speaker to identify Colonna as dead
EMS
PBMS: added stage direction:
“Rising and advancing”
EMS: struck out passage
PBMS: Altered version of cut passage pinned to page
Added: “The Prisoners!” at end of speech
Characters exit in reverse order
EMS
PBMS: added stage direction: “Guarded.”
EMS
PBMS: added blocking
EMS: deleted passage includes ”bold eye”, replaced by ”fidelity”.
PBMS: cut passage pinned to page, indicated in quotation marks
PBMS: “fidelity” struck out and replaced with “bold eye”; metamark indicating cut passage
EMS
PBMS: added stage direction
”Throwing himself into a Chair R”
EMS
PBMS: stage direction
deleted: ”Falls into Chair R”
added: ”Rising & Advancing to front C”
EMS: Deleted line:
Rienzi: ”To see / Her looks, her tears!”
PBMS: stage directions, some overwritten
PBMS: cut(?) passage pinned to page, with stage directions
EMS: ”They said he was with thee”
PBMS: “They said he was with you”
EMS
PBMS: Added stage direction
EMS: ”let thy beating heart / Be stilled”
PBMS: added line:
“let thy beating heart / Lie upon mine. so shall the mutual pang / Be stilled.”
EMS: long cut speech
PBMS: altered word, and stage direction
EMS
PBMS: refined stage direction
EMS
PBMS: Added stage direction
EMS: Deleted lines
PBMS: Compressed beyond the deletions in EMS
PBMS: Cut passage pinned to page
EMS: deleted passage
PBMS
EMS
PBMS: Added line; revised stage direction
“sinks at her father's feet”
EMS: “Claudia Colonna! . . .Rouse thee! Help me curse / Him who hath slain thy husband!”
PBMS: heavily revised, cuts or moves? call to Claudia, added lines
PBMS: cut? or optional extension 1, pinned to page
PBMS: cut? or optional extension 1, pinned to page
PBMS: cut? or optional extension 2, pinned to next page
EMS: “Think‘st thou I came here to crush / Yon feeble worm?”
PBMS: Compressed; extended passages marked for insertion
PBMS at this point, multiple pinned passages
PBMS: Adding new speeches for Lady Colonna
EMS: too many exits for Camillo
PBMS: clarified, blocking
EMS
PBMS: More detailed stage directions
EMS
PBMS: quoted passages: possible cuts?
EMS
PBMS: added passage marked
PBMS: added passage pinned to page
PBMS: “Leads them, and saints revenge in her fierce prayer”
EMS
PBMS:
EMS: signs of earlier ending to this scene
EMS
PBMS: more detailed stage directions
EMS
PBMS: added blocking
EMS: “cold cold grave”
PBMS: “cold grave”
EMS: deleted passage
PBMS
EMS
PBMS: added stage directions: “Through the Gate in the Centre of the Flat”
EMS
PBMS: abbreviated ending, with optional expansion?
PBMS: Expanded version pinned to page
PBMS: “Disposition of the Characters at the fall of the Curtain”
By Elisa Beshero-Bondar
An attempt to track all changes in image snips.
Professor of Digital Humanities and Chair of the Digital Media, Arts, and Technology Program at Penn State Erie, The Behrend College.