Elisa Beshero-Bondar PRO
Professor of Digital Humanities and Chair of the Digital Media, Arts, and Technology Program at Penn State Erie, The Behrend College.
for poster display about the Frankenstein Variorum project.
An orientation to the shell commands for working with git and GitHub.
Presentation for the DH2024 conference on the now complete Frankenstein Variorum project, with emphasis on theory of edition as expressed in the structure and interface.
Presentation for the DH2024 conference on the now complete Frankenstein Variorum project, with emphasis on theory of edition as expressed in the structure and interface.
Presentation for the British Association for Romantic Studies (BARS) 2024 International Conference: Romantic Making and Unmaking
Dracula, copyright history, creative commons, and remix culture in the 2020s.
Shared Slide Deck for MLA 404 Talks by Elisa Beshero-Bondar and Kandice Sharren. Contains EBB's "Digital Scholarship for Keeps: What Matters and What Lasts?" and KS's "Three CV Lines Walk Into a Bar: Modeling Early Career Research Profiles in the Digital Humanities".
We who have attained positions in the humanities in higher education at any level must recognize that the opportunities for success and stability in academic careers have been dwindling rapidly. Perhaps we take a stance of resistance to insist that standards of evaluation for merit and promotion must remain stable in the face of pressures to our institutions, but this does not protect our programs, our university presses, our colleagues from dwindling enrollments and positions. While the safety of our programs is by no means secure, we would do well to support experimental work of collaboration across disciplines and ranks, as well as creative scholarship developing alternative media to the traditional domains of academic publishing—the projects of the digital and public humanities. Too much labor in building digital community, projects, and courses goes unacknowledged in our merit and promotion practices to the point of alienating scholars who should be poised to take our disciplines in new directions. Revising evaluation standards within our institutions everywhere may be critical to preserving humanities programs. Supporting and encouraging digital scholarship may also help us to recognize what matters and what lasts in a time marked by digital innovation and evanescence.
section dividers for use in Zoom recordings on coding processes
Presentation for the TEI-MEC conference 2023
Presentation for the TEI-MEC conference 2023
Slides to accompany a workshop at TEI - MEC 2023 Paderborn
Slides on a talk about the significance of declarative markup during a time of AI driven by large language models. For presentation at Balisage: The Markup Conference, 2023.
A chapter or "chunk"-level survey of the novel Frankenstein, showing how chapter, letter, and other structural boundaries align with each other across five different versions. Some versions introduce extra chapters and some portions are longer than others. This is a "bird's eye" view on one screen in SVG of the structural variation. Mouse over the black squares for the text of each edition at that specific point.
The word by word, comma by comma, and sometimes tag by tag comparison of manuscripts and editions (called “collation”) is notoriously tedious and error-prone. But computer-aided collation is like a power loom that inevitably tangles up threads caught in the machinery. We need new tooling to help us unsnarl the threads. To this point, we aligned variant passages in the Frankenstein Variorum project using a Python script to feed collateX. Now we are experimenting with the Text Alignment Network’s tandiff XSLT to handle the string comparison completely with XPath and XSLT. How far can we take XSLT and Schematron in automating the preparation, collation, and correction of electronic editions?
For the DH 2022 conference we seek to share our efforts in the Frankenstein Variorum project (hereafter referred to as FV) to automate corrections to machine-assisted collation and thereby to refine our collation pre-processing and post-processing algorithms.
We have been working on a challenging experiment with automated text-collation to compare and visualize five distinctly different versions of the novel Frankenstein, by Mary Wollstonecraft Godwin Shelley. Working with computer-aided collation involves much testing and refining as the process inevitably does not run smoothly. In our case, the collation process is complicated by our comparison of very differently-encoded digital editions: the Shelley-Godwin Archive's diplomatic TEI edition (encoding page-by-page surfaces and zones as well as marginal insertions and deletions), together with simpler encodings of four other editions mainly representing print publications and their semantic structures (encoded in chapters and letters). I will discuss how we organized the collation process by “chunking” the documents along parallel structures marked in each text, and also how we involve the TEI markup of paragraph and chapter boundaries as well as deletions and insertions in the process to make the markup part of the collated edition. Most importantly, I want to discuss the necessity of good, clear documentation to guide our testing of collation methods and analysis of what can go wrong and how to resolve it.
This presentation shares how a fortunate find of Mary Behrend's loose-leaf 1909 calendar sheets at the Penn State Behrend Library archives helped provide a wonderful teaching on-ramp for students to learn digital humanities over a 100 years later!
presentation for the 2021 Association for Computers and Humanities (ACH) Conference, also for the 2021 Keystone DH Conference.
An orientation to the shell commands for working with git and GitHub.
presentation for the 2021 Association for Computers and Humanities (ACH) Conference, also for the 2021 Keystone DH Conference.
presentation for the 2021 Association for Computers and Humanities (ACH) Conference, also for the 2021 Keystone DH Conference.
Slides to help with learning CSS
Slides to help with learning HTML
presentation for the 2021 Keystone DH Conference
paper for Balisage 2021 Conference
presentation for the 2021 Association for Computers and Humanities (ACH) Conference, also for the 2021 Keystone DH Conference.
presentation for the 2021 Keystone DH Conference
An orientation to the collation preparation work of the Frankenstein Variorum project.
an exploration of network analysis applied to mythical and mappable locations as placed in scientific epic poems at the turn of the 19th-century. Featuring Robert Southey's Thalaba the Destroyer (1801) and Erasmus Darwin's The Temple of Nature (1802).
About a pedagogical experiment introducing the Text Encoding Initiative (TEI) to my Text Encoding students in Fall 2020.
An orientation to the Digital Humanities via the early history of computing.
introduction to navigating and organizing computer files at the command line
slides for Balisage 2020 virtual presentation, 28 July 2020
An orientation to the Digital Humanities via the early history of computing.
A panel presentation for the 2019 TEI Conference in Graz Austria
An attempt to track all changes in image snips.
a slide presentation on Mary Russell Mitford's Rienzi as it was altered for performance for Drury Lane theater in London in 1828.
slide presentation for the DH2019 conference, July 9-12 2019 at Utrecht University.